{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O163983"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O163983/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BT9119/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BT9119/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BT9119","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O163983/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O163983","accessionNumber":"E.779-1994","objectType":"Print","titles":[],"summaryDescription":"When he was commissioned to design murals for the platforms of Charing Cross underground station, artist David Gentleman (born 1930) chose as his theme the building of the medieval Charing Cross, one of the twelve memorial crosses commemorating Queen Eleanor (who died in 1290). He devised a scheme to take into account the architecture of the station, allowing spaces for entrances and exits and litter bins. He collaged together nearly 50 wood engravings which were then screen-printed onto melamine sheets by Perstorp Waterite Limited. 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He devised a scheme to take into account the architecture of the station, allowing spaces for entrances and exits and litter bins. He collaged together nearly 50 wood engravings which were then screen-printed onto melamine sheets by Perstorp Waterite Limited. This was the first large-scale application of wood engraving.","date":{"text":"1994","earliest":"1994-01-01","latest":"1994-12-31"}}],"partNumbers":["E.779-1994"],"accessionNumberNum":"779","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-19","recordCreationDate":"2008-07-22","availableToBook":false}}