{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O163974"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O163974/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BT9152/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BT9152/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BT9152","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O163974/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O163974","accessionNumber":"E.772-1994","objectType":"Print","titles":[],"summaryDescription":"When he was commissioned to design murals for the platforms of Charing Cross underground station, artist David Gentleman (born 1930) chose as his theme the building of the medieval Charing Cross, one of the twelve memorial crosses commemorating Queen Eleanor (who died in 1290). He devised a scheme to take into account the architecture of the station, allowing spaces for entrances and exits and litter bins. He collaged together nearly 50 wood engravings which were then screen-printed onto melamine sheets by Perstorp Waterite Limited. This was the first large-scale application of wood engraving.","physicalDescription":"Two wood-engraved proofs on one sheet of design for the mural decorations for the Northern Line platforms at Charing Cross station, showing details of two men in medieval costume fighting with clubs.","artistMakerPerson":[{"name":{"text":"Gentleman, David","id":"A11901"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"paper","id":"x30308"},{"text":"crayon","id":"x30605"},{"text":"film","id":"AAT255863"}],"techniques":[{"text":"wood-engraving","id":"AAT53303"}],"materialsAndTechniques":"Wood-engraving, black and red ink, blue crayon and photo-mechanical transfer, overlaid with clear plastic film","categories":[{"text":"Wall coverings","id":"THES48878"},{"text":"Designs","id":"THES48968"},{"text":"Prints","id":"THES48903"},{"text":"Transport","id":"THES48881"},{"text":"Images Online","id":"THES48937"},{"text":"Illustration","id":"THES48938"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2008BT9152"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"EW","shelf":"144","box":"A"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1979","earliest":"1979-01-01","latest":"1979-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"11.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"12","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Acquired in connection with the display A Fine Line - Commercial Wood Engraving in Britain, V&A, 10 October 1994 - 26 March 1995.","historicalContext":"","briefDescription":"Wood engraved proofs (two on one sheet) of design for the mural decorations for the Northern Line platforms at Charing Cross station, by David Gentleman; British, 1979","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Gentleman, David. <u>A Cross for Queen Eleanor.</u> London, 1979."}],"production":"","productionType":{"text":"Proof","id":"THES48870"},"contentDescription":"","contentPlaces":[{"text":"Charing Cross","id":"x34209"}],"associatedPlaces":[],"contentPerson":[{"text":"of Aquitaine, Eleanor (Queen of England)","id":"N5128"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"clubs","id":"AAT37206"},{"text":"costume","id":"x41404"},{"text":"Eleanor Crosses","id":"x43231"},{"text":"men","id":"AAT25928"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"[Draft?] The artist chose as his theme the building of the medieval Charing Cross, one of the twelve memorial crosses commemorating Queen Eleanor (who died in 1290). He devised a scheme to take into account the architecture of the station, allowing spaces for entrances and exits and litter bins. He collaged together nearly 50 wood engravings which were then screen-printed onto melamine sheets by Perstorp Waterite Limited. This was the first large-scale application of wood engraving.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.772-1994"],"accessionNumberNum":"772","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-19","recordCreationDate":"2008-07-22","availableToBook":false}}