{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O163876"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O163876/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BR8759/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BR8759/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BR8759","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2008BR8758","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BE8171","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KE2214","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O163876/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O163876","accessionNumber":"186-1866","objectType":"Pyx","titles":[],"summaryDescription":"Taken from the Greek word 'pyxis' meaning 'box-wood receptacle', pyxes were vessels used to house the Eucharist which was given to the congregation during the celebration of Mass. The pyx would be hung above the altar in a Church, or used to transport the Eucharist to those who were too sick to attend Church.\r\n\r\nBoxes of this form could also be kept in households for private use, for example to hold jewels and other small items of value.","physicalDescription":"Square pyx with a conical lid and ball finial, of gilt copper alloy decorated with champlevé enamel. Each side with interlaced scroll and foliage pattern.The lid, which is hinged to the main body of the pyx, is also decorated similarly. The palette of dark blue, light blue, yellow, green, white and red champlevé enamel.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Copper alloy","id":"AAT10942"},{"text":"Enamel","id":"x40107"},{"text":"Gold","id":"AAT11021"}],"techniques":[{"text":"engraving","id":"AAT53829"},{"text":"enamelling","id":"x37485"},{"text":"gilding","id":"AAT53789"}],"materialsAndTechniques":"Copper alloy, engraved; enamel; gold","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Religion","id":"THES48900"},{"text":"Christianity","id":"THES48978"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2008BR8759","2008BR8758","2006BE8171","2017KE2214"],"imageResolution":"high","galleryLocations":[{"current":{"text":"10 (VA)","id":"THES49099"},"free":"","case":"CA10","shelf":"","box":""}],"partTypes":[[{"text":"Pyx","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Limoges","id":"x32604"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1200","earliest":"1195-01-01","latest":"1204-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"10.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured for the Medieval and Renaissance Galleries 2006","marksAndInscriptions":[],"objectHistory":"Purchased for £35 14 shillings in 1866\r\nPart of the Morland sale\n\nHistorical significance: This object is an example of the work of enamellers at Limoges. Pyxes were among the objects most frequently made by these craftsmen. Limoges enamels were particularly valued in the Middle Ages due to their rich colours, highly polished surfaces and inventive designs. An example of champlevé enamel (meaning 'raised field'), the metal field of the pyx had a recess for the enamel gauged into it with a graver. This recess was then filled with powdered glass and repeatedly fired to set the enamel. The enamel was then polished so that it appeared to be at the same level as its metallic field. Champlevé produced the strongest enamel and metal composite surface, as well as being one of the earliest enamelling techniques. Becoming prominent in the twelfth century, Limoges remained the centre for the production of champlevé enamels until the fourteenth century.","historicalContext":"Taken from the Latin word 'pyxis' meaning 'box-wood receptacle', pyxes were vessels used to house the Eucharist which was given to the congregation during the celebration of Mass. The pyx would be hung above the altar in a Church, or used to transport the Eucharist to those who were too sick to travel to Church to receive it. Many surviving pyxes are decorated using enamel, possibly because it was more affordable that gold or silver, and have a conical dome as in this example. However, the majority of surviving pyxes take a circular rather than square shape, perhaps to reflect the round shape of the wafer that they were designed to house.","briefDescription":"Pyx, copper alloy and champlevé enamel with a foliate design, Limoges, France, about 1200.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"The Metropolitan Museum of Art, New York, <u> Enamels of Limoges: 1100-1350 </u>, (New York, 1996)"},{"reference":{"text":"","id":""},"details":"","free":"Marie-Madeleine Gauthier and Geneviève François, <u> Medieval Enamels: Masterpieces from the Keir Collection </u>, (British Museum Publications: London, 1981)"},{"reference":{"text":"","id":""},"details":"","free":"Campbell, Marian, <u> An Introduction to Medieval Enamels</u>, London: HMSO, 1983, p. 30, fig. 23c"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"CHRISMATORY\r\nChamplevé enamel on copper gilt\r\nFrench (Limoges); 13th century","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["186-1866"],"accessionNumberNum":"186","accessionNumberPrefix":"","accessionYear":1866,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2017KA2902","2019LP4429","2019LU7791","2019LU3355","2019LX0394"],"recordModificationDate":"2025-05-02","recordCreationDate":"2008-07-18","availableToBook":false}}