{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1588216"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1588216/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2021MX3178/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2021MX3178/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2021MX3178","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2021MX3177","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1588216/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1588216","accessionNumber":"FE.63-2021","objectType":"Vessel ","titles":[{"title":"Eternity ","type":"assigned by artist"}],"summaryDescription":"Nishinaka Yukito (b.1964) is a glass artist based in Mobara, Chiba Prefecture. After studying pharmacy at university, a visit to a glassmaking studio, where he witnessed molten glass aflame for the first time, became a life-changing moment. In 1989, he began working at Japan’s first crystal glass factory, Kagami Crystal Glass Co., Ltd., and later studied sculpture and glass at the California College of the Arts in Oakland, USA, from 1991 to 1994. Since graduating, he has pursued an active exhibition schedule both in Japan and internationally.\n\nNishinaka’s <i>yobitsugi</i> technique draws inspiration from Japan’s traditional approach to repairing tea bowls. This method involves using <i>urushi</i> lacquer to join broken parts and incorporating fragments from another object. The beauty of imperfection is celebrated by intentionally leaving the repair visible. He fuses fragments from a broken vessel onto the surface of a free-blown glass core, which is then wrapped in sheets of gold and silver leaf. ","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Yukito Nishinaka","id":"AUTH361118"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Glass","id":"AAT10797"},{"text":"silver leaf","id":"THES248602"}],"techniques":[],"materialsAndTechniques":"Glass, with silver leaf","categories":[{"text":"Glass","id":"THES48946"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2021MX3178","2021MX3177"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES398855"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES398855"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"vessel","id":"AAT193015"}],[{"text":"Storage box","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Chiba","id":"x32704"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Japan","id":"x29399"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2020","earliest":"2020-01-01","latest":"2020-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchase funded by Christopher Gorman-Evans","dimensions":[{"dimension":"Height","value":"42","unit":"cm","qualifier":"","date":{"text":"6/4/2021","earliest":"2021-04-06","latest":"2021-04-06"},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"<i>Yobitsugi</i> glass vessel, ’Eternity', by Nishinaka Yukito (b.1964), 2020, Japan, modern crafts, studio, glass; with a wooden storage box\r\n西中 千人   悠久　2020年","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Nishinaka Yukito’s distinctive <i>yobitsugi</i> technique is inspired by Japan’s traditional method for mending tea bowls by replacing broken parts with fragments from other objects. <i>Urushi</i> lacquer is used as the adhesive. This is often coloured gold or silver in further celebration of the beauty of imperfection. Nishinaka works by fusing fragments from a broken vessel onto the surface of a free-blown glass core around which, in the case of this work, silver leaf was wrapped.","date":{"text":"16/4/2021","earliest":"2021-04-16","latest":"2021-04-16"}}],"partNumbers":["FE.63:1-2021","FE.63:2-2021"],"accessionNumberNum":"63","accessionNumberPrefix":"FE","accessionYear":2021,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-01-28","recordCreationDate":"2021-03-03","availableToBook":true}}