{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O157950"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O157950/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU1773/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU1773/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU1773","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2008BU1727","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O157950/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O157950","accessionNumber":"LOAN:GILBERT.299-2008","objectType":"Miniature","titles":[],"summaryDescription":"Disguised as a faun, Jupiter approaches the sleeping beauty Antiope, daughter of the King of Thebes, and uncovers her.  \r\n\r\nThe practice of painting portrait miniatures in enamels developed out of the decorative work of goldsmiths and watchmakers in the French cities of Blois, Châteaudun and Paris. Portrait plaques had been made in the enamelling workshops of Limoges in central France during the 16th century, but in the 1630s, Jean Toutin adapted existing techniques to make the subtle colouring and delicate detail of enamel miniatures possible. Small objects like watches or snuffboxes were ideally suited to this technique and many were decorated with portraits and mythological or allegorical scenes. Artists throughout Europe continually refined their approaches to painting enamel portraits. While 17th century enamellers used a very fine stipple to create light and shade in their miniatures, artists in the 18th century began to use larger brushstrokes for a more fluid effect.\r\n\r\nSir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes.  Arthur Gilbert donated his extraordinary collection to Britain in 1996.","physicalDescription":"A rectangular miniature with curved corners depicting Jupiter as a satyr unveiling the sleeping Antiope who reclines on a blue drape with Cupid all within a landscape with two doves in the background. The frame is of gold and copper alloy with a glazed back.","artistMakerPerson":[{"name":{"text":"Pierre, Jean","id":"A15407"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"enamel","id":"AAT14910"},{"text":"silver","id":"AAT11029"},{"text":"copper","id":"AAT11020"}],"techniques":[{"text":"painting (image-making)","id":"AAT54216"},{"text":"framing","id":"AAT240903"},{"text":"gilding","id":"AAT53789"}],"materialsAndTechniques":"Enamel, gold and copper alloy","categories":[{"text":"Enamels","id":"THES48876"},{"text":"Metalwork","id":"THES48920"},{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2008BU1773","2008BU1727"],"imageResolution":"high","galleryLocations":[{"current":{"text":"71","id":"THES49723"},"free":"","case":"CA007","shelf":"","box":""}],"partTypes":[[{"text":"miniature","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Geneva","id":"x32975"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1700-1715","earliest":"1700-01-01","latest":"1715-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London","dimensions":[{"dimension":"Height","value":"6.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"0.86","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured 25/01/24 IW","marksAndInscriptions":[{"content":"Signed 'Huaut p'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"On the counter enamel"}],"objectHistory":"Provenance\r\nAcquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1982","historicalContext":"","briefDescription":"Enamel miniature on copper, in a gold and copper alloy frame, Geneva, 1700-1715, workshop of Jean Pierre (1655–1723) and Ami Huaut (1657–1724)","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Coffin, Sarah and Bodo Hofstetter. <u>Portrait Miniatures in Enamel</u>. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 26, p. 74. ISBN 0856675334."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Antiope","id":"N295"},{"text":"Cupid","id":"N31"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"satyrs","id":"x35233"},{"text":"landscape","id":"x35496"},{"text":"doves","id":"x30126"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"2. Jupiter and Antiope, 1700–15\r\nMuseum no. Loan:Gilbert.299-2008","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"}},{"text":"Jupiter and Antiope\r\n1700–15\r\n\r\nDisguised as a faun, Jupiter approaches the sleeping\r\nbeauty, Antiope, daughter of the King of Thebes, and\r\nuncovers her.\r\n\r\nGeneva, Switzerland; Jean Pierre (1655–1723)\r\nand/or Ami Huaut (1657–1724)\r\nEnamel on copper in gold and copper alloy frame\r\nSigned on counter-enamel ‘Huaut p’\r\nMuseum no. Loan:Gilbert.299-2008","date":{"text":"2009","earliest":"2009-01-01","latest":"2009-12-31"}}],"partNumbers":["LOAN:GILBERT.299-2008"],"accessionNumberNum":"299","accessionNumberPrefix":"LOAN:GILBERT","accessionYear":2008,"otherNumbers":[{"type":{"text":"The Gilbert Collection, Somerset House","id":"THES50384"},"number":"1996.798.1"},{"type":{"text":"Arthur Gilbert Number","id":"THES50383"},"number":"MIN 33"},{"type":{"text":"The Gilbert Collection, Somerset House","id":"THES50384"},"number":"1996.791.1"},{"type":{"text":"Arthur Gilbert Number","id":"THES50383"},"number":"MIN 26"}],"copyNumber":"","aspects":["WHOLE"],"assets":["2018LC0774"],"recordModificationDate":"2026-05-12","recordCreationDate":"2008-06-26","availableToBook":false}}