{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O157947"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O157947/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU1741/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU1741/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU1741","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2008BU1793","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2008BU1744","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2019MA0601","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O157947/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O157947","accessionNumber":"LOAN:GILBERT.267:1 to 3-2008","objectType":"Miniature","titles":[],"summaryDescription":"This man, wearing an overcoat, may be a peasant figure. Rustic life was a popular subject during this period. \r\n\r\nThe practice of painting portrait miniatures in enamels developed out of the decorative work of goldsmiths and watchmakers in the French cities of Blois, Châteaudun and Paris. Portrait plaques had been made in the enamelling workshops of Limoges in central France during the 16th century, but in the 1630s, Jean Toutin adapted existing techniques to make the subtle colouring and delicate detail of enamel miniatures possible. Small objects like watches or snuffboxes were ideally suited to this technique and many were decorated with portraits and mythological or allegorical scenes. Artists throughout Europe continually refined their approaches to painting enamel portraits. While 17th century enamellers used a very fine stipple to create light and shade in their miniatures, artists in the 18th century began to use larger brushstrokes for a more fluid effect.\r\n\r\nSir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes.  Arthur Gilbert donated his extraordinary collection to Britain in 1996.","physicalDescription":"Oval portrait miniature depicting an elderly man with white hair and a beard, a blue shirt and a red jacket. The miniature is enamel on copper and the original gold rim frame is set in a later rectangular ormolu frame with laurel borders.","artistMakerPerson":[{"name":{"text":"Macpherson, James","id":"A9876"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"enamel","id":"AAT14910"},{"text":"copper","id":"AAT11020"},{"text":"gold","id":"AAT11021"},{"text":"ormolu","id":"AAT11048"}],"techniques":[{"text":"painting (image-making)","id":"AAT54216"},{"text":"framing","id":"AAT240903"}],"materialsAndTechniques":"Enamel on copper, set in a rectangular, ormolu frame","categories":[{"text":"Enamels","id":"THES48876"},{"text":"Metalwork","id":"THES48920"},{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2008BU1741","2008BU1793","2008BU1744","2019MA0601"],"imageResolution":"high","galleryLocations":[{"current":{"text":"006","id":"THES412922"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"030","id":"THES404908"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"030","id":"THES404908"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"miniature","id":""}],[{"text":"frame","id":""}],[{"text":"frame","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1768","earliest":"1768-01-01","latest":"1768-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London","dimensions":[{"dimension":"Height","value":"5.50","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Miniature out of frame","note":""},{"dimension":"Width","value":"3.70","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Miniature out of frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Provenance: D.S. Lavender, London, 01/10/1981.","historicalContext":"","briefDescription":"Enamel miniature on copper, set in a rectangular, ormolu frame, England, 1768, by James Macpherson.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Coffin, Sarah and Bodo Hofstetter. <u>Portrait Miniatures in Enamel</u>. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 38, pp. 85-86. ISBN 0856675334."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"male","id":"AAT189559"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"5. Old man, about 1770\r\nMuseum no. Loan:Gilbert.267:1-2008","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"}},{"text":"Old man\r\nAbout 1770\r\n\r\nThis man, wearing an overcoat, may be a peasant figure.\r\nRustic life was a popular subject in this period.\r\n\r\nEngland; James (Giuseppe) MacPherson (1726– about 1780)\r\nEnamel on copper in original pendant gold-rim frame\r\n(formerly hinged, now fixed)\r\nSigned on front right edge ‘Macpherson pinx’;\r\nthe number ‘2768’ on counter-enamel\r\nMuseum no. Loan: Gilbert.267:1-2008","date":{"text":"2009","earliest":"2009-01-01","latest":"2009-12-31"}}],"partNumbers":["LOAN:GILBERT.267:1-2008","LOAN:GILBERT.267:2-2008","LOAN:GILBERT.267:3-2008"],"accessionNumberNum":"267","accessionNumberPrefix":"LOAN:GILBERT","accessionYear":2008,"otherNumbers":[{"type":{"text":"Arthur Gilbert Number","id":"THES50383"},"number":"MIN 30"},{"type":{"text":"The Gilbert Collection, Somerset House","id":"THES50384"},"number":"1996.791.1"},{"type":{"text":"Arthur Gilbert Number","id":"THES50383"},"number":"MIN 26"}],"copyNumber":"","aspects":["WHOLE","miniature","frame [1]","frame [2]"],"assets":["2018LC0703","2019LR0926","2019LP8269","2019LP0548","2019LT6396","2019LT5937","2019LT5610","2019LU3033","2019LU1876","2019LW0106"],"recordModificationDate":"2026-04-16","recordCreationDate":"2008-06-26","availableToBook":false}}