{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O157943"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O157943/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU1755/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU1755/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU1755","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2008BU1805","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2019MA8950","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O157943/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O157943","accessionNumber":"LOAN:GILBERT.250-2008","objectType":"Miniature","titles":[],"summaryDescription":"This technically impressive miniature, one of Kanz's largest enamels, was also one of his last. This prolific artist is known for his depictions of voluptuous women which were probably not actual portraits of real people. \r\n\r\nThe practice of painting portrait miniatures in enamels developed out of the decorative work of goldsmiths and watchmakers in the French cities of Blois, Châteaudun and Paris. Portrait plaques had been made in the enamelling workshops of Limoges in central France during the 16th century, but in the 1630s, Jean Toutin adapted existing techniques to make the subtle colouring and delicate detail of enamel miniatures possible. Small objects like watches or snuffboxes were ideally suited to this technique and many were decorated with portraits and mythological or allegorical scenes. Artists throughout Europe continually refined their approaches to painting enamel portraits. While 17th century enamellers used a very fine stipple to create light and shade in their miniatures, artists in the 18th century began to use larger brushstrokes for a more fluid effect.\r\n\r\nSir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes.  Arthur Gilbert donated his extraordinary collection to Britain in 1996.","physicalDescription":"Oval portrait miniature depicting a young lady with dark curly hair wearing a plum coloured shawl, a white scarf and veil and a white, gold-trimmed dress revealing her breasts. The miniature is enamel on copper and the frame is of engine-turned gold.","artistMakerPerson":[{"name":{"text":"Kanz, Carl Christian","id":"A22419"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"enamel","id":"AAT14910"},{"text":"copper","id":"AAT11020"},{"text":"gold","id":"AAT11021"}],"techniques":[{"text":"painting (image-making)","id":"AAT54216"},{"text":"engine turning","id":"AAT233401"},{"text":"framing","id":"AAT240903"}],"materialsAndTechniques":"Enamel on copper, engine-turned gold rim frame","categories":[{"text":"Enamels","id":"THES48876"},{"text":"Metalwork","id":"THES48920"},{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2008BU1755","2008BU1805","2019MA8950"],"imageResolution":"high","galleryLocations":[{"current":{"text":"71","id":"THES49723"},"free":"","case":"CA017","shelf":"","box":""}],"partTypes":[[{"text":"miniature","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1800-1805","earliest":"1800-01-01","latest":"1805-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London","dimensions":[{"dimension":"Height","value":"13.74","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"11.62","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":".75","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"approx","note":""},{"dimension":"Height","value":"14.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"with loop","note":""}],"dimensionsNote":"Measure 22/01/24","marksAndInscriptions":[{"content":"Signed 'Kanz'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"On the front"}],"objectHistory":"Provenance: D.S. Lavender, London, 01/10/1980.","historicalContext":"","briefDescription":"Enamel miniature on copper, in an engine-turned gold rim frame, Paris, 1800-1805, by Carl Christian Kanz.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Coffin, Sarah and Bodo Hofstetter. <u>Portrait Miniatures in Enamel</u>. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 33, pp. 80-81. ISBN 0856675334."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"female","id":"AAT189557"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"9. Young woman, 1800–05\r\nMuseum no. Loan:Gilbert.250-2008","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"}},{"text":"Young woman\r\n1800–5\r\n\r\nThis technically impressive miniature, one of Kanz’s\r\nlargest enamels, was one of his last. This prolific artist\r\nis known for his depictions of voluptuous women\r\nwhich were probably not actual portraits of real people.\r\n\r\nParis, France; Carl Christian Kanz (1758–after 1818)\r\nEnamel on copper in engine-turned gold-rim frame\r\nSigned on lower right ‘Kanz’\r\nMuseum no. Loan:Gilbert.250-2008","date":{"text":"2009","earliest":"2009-01-01","latest":"2009-12-31"}}],"partNumbers":["LOAN:GILBERT.250-2008"],"accessionNumberNum":"250","accessionNumberPrefix":"LOAN:GILBERT","accessionYear":2008,"otherNumbers":[{"type":{"text":"The Gilbert Collection, Somerset House","id":"THES50384"},"number":"1996.791.1"},{"type":{"text":"Arthur Gilbert Number","id":"THES50383"},"number":"MIN 26"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-01","recordCreationDate":"2008-06-26","availableToBook":false}}