{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O157933"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O157933/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU1692/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU1692/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU1692","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2008BU1695","copyright":"© Victoria and Albert Museum, London/ © the Rosalinde & Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London ","sensitiveImage":false},{"assetRef":"2019MA8963","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O157933/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O157933","accessionNumber":"LOAN:GILBERT.271-2008","objectType":"Miniature","titles":[],"summaryDescription":"Gervase Spencer was originally a gentleman's servant who taught himself miniature painting in watercolour on ivory.  It is however unclear how he learned the more complicated process of enamelling.\r\n\r\nIn the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s. \r\n\r\nSir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes.  Arthur Gilbert donated his extraordinary collection to Britain in 1996.","physicalDescription":"Oval miniature portrait of Mary Bertie, Duchess of Ancaster and Kesteven (1730–19 October 1793), formerly Mary Panton, resting her head on her hand. She wears a pink and white dress, a cape with pink ribbons and a white bonnet. The miniature is enamel on copper with a gilt-brass rim frame.","artistMakerPerson":[{"name":{"text":"Spencer, Gervase","id":"A9831"},"association":{"text":"maker","id":"x40240"},"note":"probably"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"enamel","id":"AAT14910"},{"text":"gilt-brass","id":"x38746"}],"techniques":[{"text":"painting","id":"x30598"},{"text":"framing","id":"AAT240903"},{"text":"gilding","id":"AAT53789"}],"materialsAndTechniques":"Enamel on copper, gilt-brass frame","categories":[{"text":"Enamels","id":"THES48876"},{"text":"Metalwork","id":"THES48920"},{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2008BU1692","2008BU1695","2019MA8963"],"imageResolution":"high","galleryLocations":[{"current":{"text":"71","id":"THES49723"},"free":"","case":"CA006","shelf":"","box":""}],"partTypes":[[{"text":"miniature","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1752","earliest":"1752-01-01","latest":"1752-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London","dimensions":[{"dimension":"Height","value":"6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"4.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured 02/05/24 IW ","marksAndInscriptions":[{"content":"Signed and dated 'G. Spencer pinxt / 1752'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"On the counter enamel"}],"objectHistory":"Provenance: Wartski, 1979.","historicalContext":"","briefDescription":"Enamel miniature on copper of Mary Bertie, Duchess of Ancaster and Kesteven, with later gilded copper alloy frame, England, 1752, by Gervase Spencer.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Coffin, Sarah and Bodo Hofstetter. <u>Portrait Miniatures in Enamel</u>. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 51, pp. 102-103. ISBN 0856675334."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"female","id":"AAT189557"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"9. Young girl\r\n1752\r\n\r\nGervase Spencer was originally a gentleman’s servant. He taught himself miniature painting in watercolour on ivory. It is, however, unclear how he learned the more complicated process of enamelling. His enamelling style is distinct from the stippled technique of Christian Friedrich Zincke.\r\n\r\nEngland; probably Gervase Spencer (about 1715–63)\r\nEnamel on copper in gilded brass frame\r\nMuseum no. Loan:Gilbert.271-2008","date":{"text":"16/11/2016 -2024","earliest":"2016-11-16","latest":"2024-12-31"}},{"text":"Young girl\r\n1752\r\n\r\nGervase Spencer was originally a gentleman’s servant,\r\nwho taught himself miniature painting in watercolour\r\non ivory. It is, however, unclear how he learned the more\r\ncomplicated process of enamelling. His enamelling style\r\nis distinct from the stippled technique of Zincke.\r\n\r\nEngland; probably Gervase Spencer (about 1715–63)\r\nEnamel on copper in gilded brass frame\r\nMuseum no. Loan:Gilbert.271-2008","date":{"text":"2009","earliest":"2009-01-01","latest":"2009-12-31"}}],"partNumbers":["LOAN:GILBERT.271-2008"],"accessionNumberNum":"271","accessionNumberPrefix":"LOAN:GILBERT","accessionYear":2008,"otherNumbers":[{"type":{"text":"The Gilbert Collection, Somerset House","id":"THES50384"},"number":"1996.781.1"},{"type":{"text":"The Gilbert Collection, Somerset House","id":"THES50384"},"number":"1996.791.1"},{"type":{"text":"Arthur Gilbert Number","id":"THES50383"},"number":"MIN 26"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-12","recordCreationDate":"2008-06-26","availableToBook":false}}