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In spite of the French sound of the term, it cannot be traced back to French origins, though the form itself seems to be inspired by French silver centrepieces. It is in fact distinctly British and largely absent from the continent. \n\r\nEpergnes often consist of a central basket surrounded by smaller baskets hung on branches. These would have been filled with delicacies such as fruit or sweetmeats. This example is typical of Thomas Pitts, an interesting combination of Rococo scrolls, foliage and shells, with the taste for exoticism. Its overall shape is that of a Chinese pagoda, often seen in English gardens at the time. It is surmounted by a pineapple, a symbol of wealth popular in architecture and decorative art since the late 17th century. \r\n\r\nSir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes.  Arthur Gilbert donated his extraordinary collection to Britain in 1996.","physicalDescription":"An epergne standing on four pierced and chased scroll feet with openwork flower-and-scroll aprons between. The lower part is formed as a pierced and domed support for the central shaped oval basket; above is a pierced pagoda-shaped canopy on four palm supports. The canopy is pierced and chased with trelliswork and has floral swags at the border and a pineapple finial. Four scroll branches, each supporting a small dish, spring from the support above the feet, and four more branches, each supporting a small basket with a swing handle, issue from the base of the basket frame. The large central basket and smaller dishes and baskets have pierced trelliswork-and-scroll sides and scroll-and-flower borders; the smaller containers are engraved with a coat of arms and the large one with a crest.","artistMakerPerson":[{"name":{"text":"Pitts, Thomas","id":"A8741"},"association":{"text":"makers","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"silver","id":"AAT11029"}],"techniques":[{"text":"raising","id":"AAT237068"},{"text":"piercing","id":"AAT231153"},{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Raised, pierced and cast silver.","categories":[{"text":"Tableware and cutlery","id":"THES48888"},{"text":"Eating","id":"THES48963"},{"text":"Food vessels and 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Wellby, Garrick Street, London, 19th century; poss. Partridge, London","historicalContext":"The arms are those of Knightley impaling Dashwood, for Lucy Knightley (1741-1791). He married Catherine, daughter of Sir James Dashwood in 1764. It is possible that this epergne was commissioned on occasion of the wedding.","briefDescription":"Epergne on four scroll feet with lower domed support for central basket and pagoda-shaped canopy on palm supports above, with four scroll branches, each supporting a small dish, and four more branches, each supporting a small handled basket","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Bowman, Leslie Greene. 'Huguenot & Rococo Riches'. <u>The Antique Collector</u>, vol. 56, no. 11, November 1985, p.105, fig. 7."},{"reference":{"text":"","id":""},"details":"","free":"Schroder, Timothy. <u>The Gilbert collection of gold and silver</u>. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 80, pp. 304-07.  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