{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O155042"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O155042/"}},"images":null,"see_also":null},"record":{"systemNumber":"O155042","accessionNumber":"CIRC.419-1970","objectType":"Print","titles":[{"title":"neomoenia nouilunium","type":"generic title"}],"summaryDescription":"Dom Sylvester Houédard was a Benedictine monk and eminent theologian, but also a pioneer, in Britain, of concrete poetry, a poetic form in which the arrangement of words and letters in a pattern on the page relates to the meaning or emotional impact of the poem. Using concrete poetry as a kind of springboard Houédard developed a way of making more purely abstract or pictorial images with the typewriter keys. He wrote that \"During 1945 I realised the typewriter's control of verticals and horizontals, balancing its mechanism for release from its own imposed grid, (and) offered possibilities that suggested (I was in India at the time) the grading of Islamic calligraphy from cursive (naskhi) writing through cufic to the abstract formal arabesque, that 'wise modulation between being and not being'”. \r\nThis is one of a number of so called typestracts by Houédard in the museum’s collection. Some contain a legible arrangement of words, others are abstract, often resembling the drawings of the Russian Constructivists.","physicalDescription":"Image made up from typed lettering from red and black typewriter ribbon; an ellipse shape made up from the '-' and '/' keys.","artistMakerPerson":[{"name":{"text":"Houédard, Dom Sylvester","id":"A15939"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"typewriter","id":"x42873"}],"techniques":[{"text":"typescript","id":"x33813"},{"text":"typewriter","id":"AAT233655"}],"materialsAndTechniques":"Typescript on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"220","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"UK","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Prinknash Abbey","id":"THES275854"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"03/04/1969","earliest":"1969-04-03","latest":"1969-04-03"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"29.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"21","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"dsh 030469/\r\nneomoenia/ nouilunium","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"initialed and dated by the artist in red type at the top right corner of the image. The word 'neomoenia' typed in red at top left, and 'nouilunium' typed near centre toward bottom right.\r\n these translate roughly from the latin as 'new city wall' and 'new moon'"}],"objectHistory":"","historicalContext":"","briefDescription":"Print, Dom Sylvester Houédard: neomoenia nouilunium, Typewriter 'drawing' 1969","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from Departmental Circulation Register 1970"}],"production":"Attribution note: Houédard's images made up from typed letters are often referred to as drawings as they are unique works but the action of the type key pressing the ink onto the paper is one of printing. All Houédard's typewriter 'drawings' from 1950-1970 were made using an Olivetti Lettera 22 typewriter.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"concrete poetry","id":"AAT55932"}],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CIRC.419-1970"],"accessionNumberNum":"419","accessionNumberPrefix":"CIRC","accessionYear":1970,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-03","recordCreationDate":"2008-05-23","availableToBook":false}}