{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O155026"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O155026/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BV5042/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BV5042/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2008BV5042","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2012FR4517","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O155026","accessionNumber":"S.1328-1986","objectType":"Costume design","titles":[{"title":"Sophie Fedorovitch costume design","type":"generic title"}],"summaryDescription":"Sophie Fedorovitch was famous for her spare yet evocative designs, which perfectly conveyed the atmosphere of the particular work which she was designing in a few strokes of colour and shape.  This design was created for one of the Revellers in Frederick Ashton's 1935 ballet <i>Nocturne</i>, which was set in 1890s Paris and the blue paper implies the nighttime setting.  A detailed reconstruction of fashionable dress was out of the question for dancers, but Fedorovitch still captures the idea of the glamorous nightlife of the time.  The attached fabrics are lightweight, but when used in quantity in the way indicated by the design, would move perfectly.  Although the dress is coloured white, the chosen fabric veers towards beige, white being too dominating a colour for general stage use.   \r\nThe design is not a clear blueprint for making the costume, but rather an imaginative, impressionistic suggestion of what the finished dress should look like.  To realise the concept, Fedorovitch worked closely with her chosen makers.","physicalDescription":"Full length female figure drawn on blue paper, wearing a full length red cloak with loose hood over a white dress (only seen from the waist); the hair is indicated in white, and dressed with two white flowers.  To the left is a low white and black balustrade and to the right a white column on which is sketched a poster.  Attached top left are two fabric samples, in red and cream.","artistMakerPerson":[{"name":{"text":"Fedorovitch, Sophie","id":"A4752"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"watercolour","id":"x33202"},{"text":"gouache","id":"AAT70114"},{"text":"organza","id":"x30432"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Watercolour, gouache, organza","categories":[{"text":"Designs","id":"THES48968"},{"text":"Entertainment & Leisure","id":"THES48959"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2008BV5042","2012FR4517"],"imageResolution":"low","galleryLocations":[{"current":{"text":"004","id":"THES356708"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"costume design","id":"AAT163423"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"1935","earliest":"1935-01-01","latest":"1935-12-31"},"association":{"text":"designed","id":"x29338"},"note":""}],"associatedObjects":[],"creditLine":"Given by G L Carnes","dimensions":[{"dimension":"Height","value":"40","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"267","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"The design was created by Sophie Fedorovitch for Frederick Ashton's ballet Nocturne, premiered by the Vic-Wells Ballet in 1935 and later revived in 1944 and at the Royal Opera House in 1946.  No surviving photographs of the original production and 1944 revival show these cloaks, and they were possibly never made.","historicalContext":"","briefDescription":"Costume design by Sophie Fedorovitch for a Reveller in Frederick Ashton's ballet Nocturne, Vic-Wells Ballet 1935.  Watercolour and gouache with fabric samples attached.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["S.1328-1986"],"accessionNumberNum":"1328","accessionNumberPrefix":"S","accessionYear":1986,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-08","recordCreationDate":"2008-05-23","availableToBook":true}}