{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O153717"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O153717/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009BY8567/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009BY8567/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009BY8567","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8576","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CB5343","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CB5339","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8580","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8579","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8578","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8577","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8575","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8574","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8573","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8572","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8571","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8570","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8569","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8568","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY8566","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HK1230","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KL6321","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O153717/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O153717","accessionNumber":"IM.28-1919","objectType":"Figure","titles":[{"title":"White Tara","type":"generic title"}],"summaryDescription":"","physicalDescription":"White Tara ('white saviouress'), goddess of purity and transcendant wisdom, is the consort of the fourth Dhyani Buddha. She is seated with legs crossed and soles facing upward in meditation pose. Her raised right hand is in vitarka mudra, her left rests on her left knee. The thumb and first finger of each hand are touching. She wears the thirteen ornaments of a Bodhisattva and the scarf of divinity. Nearly all these ornaments are enriched with precious stones, particularly the elaborate tiara and the lotus earrings. She is nude to the waist, but wears a skirt. In the forehead is turquoise symbolising the eye of foreknowledge and in the palms of the hands and soles of the feet is the eight-petalled lotus with the seed-capsule replaced by the Chinese yin-yang symbol (ie: the creative monad dividing into its male and female elements). Behind each upper arm is a lotus stem terminating in a full-blown lotus with prominent seed capsule.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"gilt","id":"x30367"},{"text":"brass","id":"AAT10946"},{"text":"wood","id":"AAT11914"},{"text":"turquoise","id":"AAT11164"},{"text":"ruby","id":"AAT11082"},{"text":"emerald","id":"AAT11074"},{"text":"topaz","id":"AAT11162"}],"techniques":[{"text":"gilded","id":"AAT53789"}],"materialsAndTechniques":"Gilded copper, cast by the cire perdue process, set with garnets, turquoise (blue and green), rock crystal (reverse painted red), and green and blue transparent glass.","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Religion","id":"THES48900"},{"text":"Metalwork","id":"THES48920"},{"text":"Buddhism","id":"THES48984"}],"styles":[],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2009BY8567","2009BY8576","2009CB5343","2009CB5339","2009BY8580","2009BY8579","2009BY8578","2009BY8577","2009BY8575","2009BY8574","2009BY8573","2009BY8572","2009BY8571","2009BY8570","2009BY8569","2009BY8568","2009BY8566","2015HK1230","2017KL6321"],"imageResolution":"high","galleryLocations":[{"current":{"text":"18","id":"THES49858"},"free":"","case":"CA1","shelf":"","box":""}],"partTypes":[[{"text":"figure","id":"AAT189808"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Tibet","id":"x29910"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"16th century","earliest":"1500-01-01","latest":"1599-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"IM.28:2-1919","id":"O1527318"},"association":""}],"creditLine":"Purchased from Imre Schwaiger, Esq.","dimensions":[{"dimension":"Height","value":"76.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Figure","note":""},{"dimension":"Width","value":"56","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Figure","note":""},{"dimension":"Height","value":"172.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Torana","note":""},{"dimension":"Width","value":"114.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Torana","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased from Imre Schwaiger, Esq., 39 Brook Street, Gosvenor Square, W.1. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.\r\n\r\nR.P. 1919-4088 and R.P. 1919-4248","historicalContext":"","briefDescription":"Seated White Tara, gilt copper, garnets, turquoise, rock crystal (reverse painted red), glass. Nepal, 16th century, Malla dynasty","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Orientations; vol. 40. no. 4; May 2009; The Robert H.N. Ho Family Foundation Gallery, Victoria & Albert Museum.\r\nCam Sharp Jones, Interpreting the Iconography of Tara in Sculptural form. p.65"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"White Tara\r\n1650–1700\r\nNepal\r\nMalla dynasty\r\nGilded copper\r\nWhite Tara is one of the most revered and loved\r\nbodhisattvas in Tibet. Here, she is shown with her\r\nusual symbols, two open lotus flowers on stalks,\r\none behind each shoulder. Her right hand makes the\r\ngesture of teaching a point of doctrine (vitarka mudra).\r\nMuseum no. IM.28-1919","date":{"text":"1/4/2009","earliest":"2009-04-01","latest":"2009-04-01"}}],"partNumbers":["IM.28-1919"],"accessionNumberNum":"28","accessionNumberPrefix":"IM","accessionYear":1919,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LN8326","2019LP4457","2019LV1671","2019LX0257","2020MP1917"],"recordModificationDate":"2025-08-15","recordCreationDate":"2008-04-29","availableToBook":false}}