{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O151877"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O151877/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HN1303/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HN1303/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HN1303","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KE1978","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O151877/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O151877","accessionNumber":"CAI.609","objectType":"Print","titles":[{"title":"The Omval","type":"published title"},{"title":"The Omval, from the Amstel","type":"alternative title"}],"summaryDescription":"In the later years of the 19th century, connoisseurs and collectors took renewed interest in Rembrandt's delightfully informal etchings of village and river scenes made around Amsterdam. His impression of Omval inspired the amateur etcher Francis Seymour Haden to explore dry-point technique and begin a series of Thames views. This project, in which he intended to collaborate with his brother-in-law James McNeill Whistler before they fell out, was the origin of Whistler's Thames Set.","physicalDescription":"Etching and drypoint depicting a landscape with a figure standing on banks of a river, on the left is large willow with a couple in the shadows. 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Ionides Bequest.","historicalContext":"","briefDescription":"Etching and drypoint by Rembrandt van Rijn, 'The Omval', second state. Amsterdam, 1645.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from V&A Internal Catalogue"},{"reference":{"text":"","id":""},"details":"","free":"Bartsch, Adam von. <u>Catalogue raisonné de toutes les estampes qui forment l'oeuvre de Rembrandt</u> (Vienna, 1797). B.209"},{"reference":{"text":"","id":""},"details":"","free":"White, Christopher and Boon, Karel G. <u>Rembrandt's Etchings: An Illustrated Critical Catalogue in Two Volumes, I. Text</u>. (Amsterdam: Van Gendt & Co; London: A. Zwemmer Ltd., 1969)."},{"reference":{"text":"","id":""},"details":"","free":"Blanc, Charles, <u>L'oeuvre complet de Rembrandt, décrit et commenté</u>, (Paris, 1859-61)."},{"reference":{"text":"","id":""},"details":"","free":"Hind, Arthur M. <u>A Catalogue of Rembrandt's Etchings</u>. (London: Methuen and Co. Ltd., 1923)."},{"reference":{"text":"","id":""},"details":"","free":"Biörklund George. <u>Rembrandt's Etchings, True and False: A Summary Catalogue in a Distinctive Chronological Order and Completely Illustrated</u>, (Stockholm, London & Paris, 1955) (2nd ed. 1968)."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Amsterdam","id":"x28722"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"river","id":"AAT8707"},{"text":"trees","id":"AAT132410"},{"text":"towns","id":"AAT8375"},{"text":"windmills","id":"AAT6273"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CAI.609"],"accessionNumberNum":"609","accessionNumberPrefix":"CAI","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-24","recordCreationDate":"2008-04-01","availableToBook":false}}