{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O151801"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O151801/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014GX4926/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014GX4926/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2014GX4926","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KE1978","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O151801/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O151801","accessionNumber":"CAI.637","objectType":"Print","titles":[{"title":"Christ crucified between two thieves: 'The three crosses'","type":"published title"},{"title":"Our Lord crucified between two thieves, 'The three crosses'","type":"alternative title"}],"summaryDescription":"About 1660 Rembrandt made extensive changes to this major plate, fundamentally altering large parts of the composition and increasing the darkness and drama of the scene. In this richly-worked fourth state he introduced the dominant figure of a mounted soldier derived from a Renaissance medal by Pisanello. This detail would have appealed to C. A. Ionides, who bequeathed the print to the V&A, who was collecting such medals (either as originals or facsimiles) around the time he acquired this print.","physicalDescription":"Drypoint and burin depicting three men on crosses, the one in the centre is bathed in rays of light. There are a crowd of people gathered around the crosses and on the left, there are two men on horses.","artistMakerPerson":[{"name":{"text":"Rembrandt van Rijn","id":"A4362"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT187371"},{"text":"","id":""},{"text":"paper","id":"x30308"}],"techniques":[{"text":"drypoint","id":"AAT53228"}],"materialsAndTechniques":"Drypoint","categories":[{"text":"Prints","id":"THES48903"},{"text":"Printmaking techniques","id":"THES252987"},{"text":"Religion","id":"THES48900"},{"text":"Christianity","id":"THES48978"}],"styles":[{"text":"Dutch School","id":"x31259"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014GX4926","2017KE1978"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"Ionides","shelf":"15","box":""}],"partTypes":[[{"text":"print","id":"AAT41273"}],[{"text":"drypoint","id":"AAT53228"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Amsterdam","id":"x28722"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1660","earliest":"1655-01-01","latest":"1664-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by C. A. Ionides","dimensions":[{"dimension":"Height","value":"38.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"45.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Begun in 1653 and reworked in the 1660s.\r\nBequeathed by C.A. Ionides, 1900.\r\nPurchased by Ionides from Goupil for £25, before 1881.","historicalContext":"","briefDescription":"Drypoint and burin by Rembrandt van Rijn, 'Christ crucified between two thieves: 'The three crosses', fourth state. Amsterdam, ca. 1660.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from V&A Internal Catalogue"},{"reference":{"text":"","id":""},"details":"","free":"Bartsch, Adam von. <u>Catalogue raisonné de toutes les estampes qui forment l'oeuvre de Rembrandt</u> (Vienna, 1797)."},{"reference":{"text":"","id":""},"details":"","free":"White, Christopher and Boon, Karel G. <u>Rembrandt's Etchings: An Illustrated Critical Catalogue in Two Volumes, I. Text</u>. (Amsterdam: Van Gendt & Co; London: A. Zwemmer Ltd., 1969)."},{"reference":{"text":"","id":""},"details":"","free":"Jonathan Bikker and Gregor J.M. Weber, Marjorie E. Wieseman and Erik Hinterding; with contributions by Marijn Schapelhouman and Anna Krekeler; editorial consultant, Christopher White. <u>Rembrandt: the late works</u>. (London: National Gallery Company; Amsterdam: in association with the Rijksmuseum, 2014). p.159."},{"reference":{"text":"","id":""},"details":"","free":"Blanc, Charles, <u>L'oeuvre complet de Rembrandt, décrit et commenté</u>, (Paris, 1859-61)."},{"reference":{"text":"","id":""},"details":"","free":"Hind, Arthur M. <u>A Catalogue of Rembrandt's Etchings</u>. (London: Methuen and Co. Ltd., 1923)."},{"reference":{"text":"","id":""},"details":"","free":"Biörklund George. <u>Rembrandt's Etchings, True and False: A Summary Catalogue in a Distinctive Chronological Order and Completely Illustrated</u>, (Stockholm, London & Paris, 1955) (2nd ed. 1968)."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Jesus Christ","id":"N1515"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[{"text":"The Crucifixion","id":"V106"}],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CAI.637"],"accessionNumberNum":"637","accessionNumberPrefix":"CAI","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-15","recordCreationDate":"2008-03-31","availableToBook":false}}