{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O15025"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O15025/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BF6125/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BF6125/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BF6125","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KY2257","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O15025/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O15025","accessionNumber":"1394-1869","objectType":"Oil painting","titles":[{"title":"The Good Harvest of 1854","type":"popular title"}],"summaryDescription":"Collins was a friend of the Pre-Raphaelites and imitated the bright colour and detail of their pictures. The critic John Ruskin admired 'the careful painting in this little study'. The sheaf of corn symbolises bread. The ivy may allude to the wine used in Holy Communion, as it was sacred to Bacchus, the Greek god of wine.","physicalDescription":"Oil painting","artistMakerPerson":[{"name":{"text":"Collins, Charles Allston","id":"A8261"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"canvas","id":"AAT14078"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"oil on canvas","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Christianity","id":"THES48978"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BF6125","2018KY2257"],"imageResolution":"high","galleryLocations":[{"current":{"text":"82 (VA)","id":"THES49712"},"free":"","case":"EAST WALL","shelf":"","box":""}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"painted","id":"x30138"},"note":"probably"}],"productionDates":[{"date":{"text":"1854","earliest":"1854-01-01","latest":"1854-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Rev. Chauncey Hare Townshend","dimensions":[{"dimension":"Height","value":"43.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"34.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Height","value":"65","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"framed","note":""},{"dimension":"Width","value":"55","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"framed","note":""},{"dimension":"Depth","value":"7.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"Dimensions taken from <i>Catalogue of British Oil Paintings 1820-1860</i>, Ronald Parkinson, Victoria and Albert Museum, London: HMSO, 1990","marksAndInscriptions":[{"content":"'CA Collins 1854'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed and dated by the artist ['CAC' in monogram] diagonally, in red, lower right"}],"objectHistory":"Bequeathed by Rev. Chauncey Hare Townshend, 1868","historicalContext":"The 1850s saw a number of bountiful harvests in Britain, following a series of disastrous harvests in the 'hungry forties'.  This painting celebrates the magnificent harvest of 1854.  Collins adds an extra dimension by painting the child holding a bound sheaf of wheat, both the traditional symbol of concord and the attribute of Ceres, classical goddess of agriculture and abundance.  The ivy on the wall is the symbol of Bacchus, god of wine, so the artist may be referring to the Eucharist, the Christian sacrament of consuming bread and wine.  Collins was one of the earliest friends of the Pre-Raphaelites, particularly Hunt and Millais, fellow-students in the 1840s at the Royal Academy.  He was even proposed for membership of the Brotherhood itself. This picture was painted mainly in the summer of 1854 before he went to Scotland with Millais. ","briefDescription":"Oil painting, 'The Good Harvest of 1854', Charles Allston Collins, 1854","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Parkinson, R., Victoria and Albert Museum, <u>Catalogue of British Oil Paintings 1820-1860</u>, London: HMSO, 1990, p. 33"},{"reference":{"text":"Ahlund, Mikael (ed.), <i>The Pre-Raphaelites</i> Stockholm : Nationalmuseum, 2009","id":"AUTH354374"},"details":"no. 62","free":""},{"reference":{"text":"Evans, Mark et al. <i>Vikutoria & Arubāto Bijutsukan-zō : eikoku romanshugi kaigaten = The Romantic tradition in British painting, 1800-1950 : masterpieces from the Victoria and Albert Museum</i>. Japan : Brain Trust, 2002","id":"AUTH332409"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Child","id":"AAT25945"},{"text":"corn","id":"AAT11903"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["1394-1869"],"accessionNumberNum":"1394","accessionNumberPrefix":"","accessionYear":1869,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-12","recordCreationDate":"1999-12-15","availableToBook":false}}