{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1498209"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1498209/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2022NE3418/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2022NE3418/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2022NE3418","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1498209/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1498209","accessionNumber":"E.139-2022","objectType":"Architectural drawing (visual work)","titles":[{"title":"North elevation general arrangement","type":"generic title"}],"summaryDescription":"Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984. \n\r\nJenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion. \n\r\nIn scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.","physicalDescription":"Elevation, in pencil and ink on tracing paper, of the north facade (scale 1:50) of St Paul's Church, Harringay. The drawing details the brickwork design and is annotated.","artistMakerPerson":[{"name":{"text":"Jenkins, Peter","id":"AUTH348809"},"association":{"text":"architect","id":"AAT24987"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Peter Inskip + Peter Jenkins Architects","id":"AUTH377010"},"association":{"text":"architects","id":"AAT24987"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"},{"text":"ink","id":"AAT15012"},{"text":"tracing paper","id":"AAT14161"}],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pencil and ink on tracing paper","categories":[{"text":"Architectural 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Jenkins","dimensions":[{"dimension":"Height","value":"885","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"592","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"ST PAUL’S CHURCH HARRINGAY / NEW CHURCH AND PARSONAGE / North Elevation GENERAL ARRANGEMENT / Sept 1988 / SPH 220 rev G scale 1.50 / Peter Inskip and Peter Jenkins Chartered Architects / 1 Newbury Street London EC1A 7HU 01726 8977","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Bottom 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1988.\"\r\n"},{"reference":{"text":"","id":""},"details":"","free":"Seeley, John, 'Phoenix Rising, St Paul's, Harringay' in <u>Church Building</u> (Summer 1990), p. 45"},{"reference":{"text":"","id":""},"details":"","free":"'Clare Melhuish reports on the new church' in <u>Church Building</u> (Summer 1990), pp. 46-47"},{"reference":{"text":"","id":""},"details":"","free":"'Detail: St Paul's, Harringay by Peter Inskip & Peter Jenkins' in <u>Architecture Today</u>, 17 (April 1991), pp. 88-89"},{"reference":{"text":"","id":""},"details":"","free":"Glancey, Jonathan, 'A temple of simplicity to soothe the soul', in <u>The Independent</u>, Wednesday 4 August 1993, p.13"},{"reference":{"text":"","id":""},"details":"","free":"Dorment, Richard, 'Putting high art above the altar', in <u>The Daily Telegraph</u>, Wednesday, August 25, 1993, p. 12"},{"reference":{"text":"","id":""},"details":"","free":"Maxwell, Robert, 'Sacred Space: Inskip and Jenkins in Haringey' in <u>Architecture Today</u>, 43 (November 1993), pp. 36-41"},{"reference":{"text":"","id":""},"details":"","free":"'New Church of St Paul, Harringay (GB)' in <u>Eurozinc</u> (1993), p. 13."},{"reference":{"text":"","id":""},"details":"","free":"'St Paul's Harringay, Review by Clare Melhuish and Michael Jones-Frank' in <u>Church Building</u>, Issue 28 (July/August 1994), pp. 31-33"},{"reference":{"text":"","id":""},"details":"","free":"'Spiritual Elevation, St Paul's Church, Wightman Road, Harringay, London N4', in <u>Brick Bulletin</u> (Autumn, 1994), pp. 18-20"}],"production":"General arrangement drawing for 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