{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1498203"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1498203/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2022NE3412/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2022NE3412/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2022NE3412","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1498203/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1498203","accessionNumber":"E.133-2022","objectType":"Architectural drawing (visual work)","titles":[],"summaryDescription":"Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984. \n\r\nJenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion. \n\r\nIn scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.","physicalDescription":"Technical drawing of the elevation of the St Paul's Organ.","artistMakerPerson":[{"name":{"text":"Jenkins, Peter","id":"AUTH348809"},"association":{"text":"architect","id":"AAT24987"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Peter Inskip + Peter Jenkins Architects","id":"AUTH377010"},"association":{"text":"architects","id":"AAT24987"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"Pencil","id":"x30347"},{"text":"Coloured pencil","id":"x34757"},{"text":"Tracing paper","id":"AAT14161"}],"techniques":[{"text":"drawing","id":"AAT54196"},{"text":"Architectural drawing","id":"AAT54197"}],"materialsAndTechniques":"Pencil with black and brown pencil on tracing paper. ","categories":[{"text":"Architectural drawings","id":"THES274432"},{"text":"Architecture","id":"THES48993"},{"text":"Drawings","id":"THES48966"},{"text":"Designs","id":"THES48968"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2022NE3412"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"240","box":""}],"partTypes":[[{"text":"design","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Haringey","id":"x29473"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"Ca.1990","earliest":"1985-01-01","latest":"1994-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Given by Peter Jenkins","dimensions":[{"dimension":"Length","value":"300","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"420","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Elevation of St Paul's Church organ, pencil with black and brown coloured pencil on tracing paper, by Peter Jenkins, London, ca.1990.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Pencil and crayon study by PJ of the west end with the organ case, panelled balustrade of the organ gallery and narthex portal below the definitive west day light reflector and west triangular window. Taken from notes by Peter Jenkins (Clare Lodge, Practice Archivist, 25/02/2016)\r\n\r\nThe organ case was designed, including the pipe arrangement, by PJ for the organ builder (Richard Bower) as part of the architecture of the church. The drawing was made as part of a series of studies of the spaces at the west end of the church which include STP (A)23."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Haringey","id":"x29473"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.133-2022"],"accessionNumberNum":"133","accessionNumberPrefix":"E","accessionYear":2022,"otherNumbers":[{"type":{"text":"Previous number","id":"THES51695"},"number":"SPH(A)46"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-05","recordCreationDate":"2019-06-10","availableToBook":false}}