{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1498191"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1498191/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2022NE3400/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2022NE3400/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2022NE3400","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1498191/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1498191","accessionNumber":"E.121-2022","objectType":"Architectural drawing (visual work)","titles":[],"summaryDescription":"Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984. \n\r\nJenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion. \n\r\nIn scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.","physicalDescription":"Rough preliminary sketches. ","artistMakerPerson":[{"name":{"text":"Jenkins, Peter","id":"AUTH348809"},"association":{"text":"architect","id":"AAT24987"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Peter Inskip + Peter Jenkins Architects","id":"AUTH377010"},"association":{"text":"architects","id":"AAT24987"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"Pencil","id":"x30347"},{"text":"Tracing paper","id":"AAT14161"}],"techniques":[{"text":"drawing","id":"AAT54196"},{"text":"Architectural drawing","id":"AAT54197"}],"materialsAndTechniques":"Pencil on tracing paper.","categories":[{"text":"Architectural drawings","id":"THES274432"},{"text":"Architecture","id":"THES48993"},{"text":"Drawings","id":"THES48966"},{"text":"Designs","id":"THES48968"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2022NE3400"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"240","box":""}],"partTypes":[[{"text":"design","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Haringey","id":"x29473"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca.1990","earliest":"1985-01-01","latest":"1994-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Given by Peter Jenkins","dimensions":[{"dimension":"Length","value":"420","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"300","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Preliminary sketches for St. Paul's Church, Harringay, pencil on tracing paper, by Peter Jenkins, ca.1990.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from notes by Peter Jenkins (Clare Lodge, Practice Archivist, 25/02/2016)\r\n\r\nFurther studies on A3 tracing paper of roof form in relation to the rectilinear plan; left hand sketches explore a structure for double plane roof divided by continuous roof light, lower right sketches have an inverted truss arrangement with continuos clerestory windows above the walls, the raked planes of the inverted truss acting as daylight reflectors. Studies to the right explore the two centred barrel vault with large lunette windows at the end. An apsidal arrangement was tried for the sanctuary but contained by the continuation of the walls of the nave beyond. The longitudinal orthogonal section at a scale of 1:200 is almost certainly for a barrel vault study."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Haringey","id":"x29473"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.121-2022"],"accessionNumberNum":"121","accessionNumberPrefix":"E","accessionYear":2022,"otherNumbers":[{"type":{"text":"Previous number","id":"THES51695"},"number":"SPH(A)33"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-05","recordCreationDate":"2019-06-10","availableToBook":false}}