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It incorporates John Redington's stage front of about 1857 and Pollock's orchestra of c.1883, both of which were kept in print by Benjamin Pollock until the 1930s. The characters and scenes for<i>The Silver Palace</i> in the theatre were bought ready-coloured and cut-out at Pollock's Hoxton shop.\r\n\r\n <i>The Silver Palace or The Golden Poppy</i>was the one-act spectacle originally described as a 'masque or water pageant. It was added to the end of George Almar's play<i>The Cedar Chest, or The Lord Mayor's Daughter</i>at Sadler's Wells Theatre in 1834. With music and fire-works, water and battles, it was a real crowd-pleaser, culminating in a combat between King Volocano, monach of Mount Etna with his demons and fire-army, and Coral Crown the Water King, with his acquatic spirits.\r\n\r\nJ.K.Green first published his edition of <i>The Silver Palace</i>on 5th September 1841. In the 1850s he had John Redington's name engraved on the plates as his agent, but did not alter the original date of publication. On Green's death in 1860, Redington acquired the majority of Green's plates and republished them. Redington died in 1876 and his son-in-law Benjamin Pollock took over the business and republished<i>The Silver Palace</i>under his own name. Pollock died in 1937 and his daughters kept the business going until 1944, still hand-colouring the prints in the traditional way until the end. 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It incorporates John Redington's stage front of about 1857 and Pollock's orchestra of c.1883, both of which were kept in print by Benjamin Pollock until the 1930s. The characters and scenes for <i>The Silver Palace</i> in the theatre were bought ready-coloured and cut-out at Pollock's Hoxton shop.  \r\n    \r\nJ.K.Green first published his edition of <i>The Silver Palace</i> in 1841. In the 1850s he had John Redington's name engraved on the plates as his agent, but did not alter the original date of publication. On Green's death in 1860, Redington acquired the majority of Green's plates and republished them.  Redington died in 1876 and his son-in-law Benjamin Pollock took over the business and republished <i>The Silver Palace</i>under his own name. Pollock died in 1937 and his daughters kept the business going until 1944, still hand-colouring the prints in the traditional way until the end. 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