{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O147382"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O147382/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LP1277/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LP1277/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2019LP1277","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O147382","accessionNumber":"CIRC.304-1964","objectType":"Textile","titles":[{"title":"Àdìrẹ cloth","type":""}],"summaryDescription":"Àdìrẹ is an indigo-dyed cloth traditionally produced by Yoruba women in south-western Nigeria. A range of resist-dye techniques are used to create àdìrẹ patterns, sometimes incorporating more than one technique in a single cloth. The ground-cloth of cotton is folded, stitched, tied or otherwise worked-upon in preparation for dyeing; these areas resist the dye, creating the cloth’s distinctive blue and white patterns. The precise origins of àdìrẹ are unknown, though indigo-dyeing has been in evidence across West Africa for centuries. Àdìrẹ has an enduring presence in the region, becoming a popular, everyday cloth, with many women dyeing àdìrẹ of their own design within the home. Once dyed, àdìrẹ cloth can be wrapped or stitched to create garments, such as a woman’s ìró (wrapped skirt). From the 20th century onwards, factory-woven cloth began to be used; this cloth accepted the dye more easily, creating a finer clarity of design. Whist factories are now able to mass-produce imitation àdìrẹ, the popularity of the traditional hand-worked cloth remains, made by local artisans in historic dyeing centres such as Ibadan.\r\n\r\nÀdìrẹ is subcategorised according to the method of resist-dyeing used, each of which carries its own history and produces its own recognisable effect. This cloth is an example of àdìrẹ ẹlékọ, which is often seen as the most recently developed àdìrẹ technique, using a cassava starch paste as the resist. This is applied with a brush or feather using either a meticulously cut metal stencil, or, painted freehand onto the cloth – the latter providing the opportunity for more stylised and complex designs. In this example, the starch has been applied through a metal stencil. Although àdìrẹ cloths were usually made by women, the mental stencils were generally produced by men. Àdìrẹ is usually composed of two panels stitched together along the long edges creating one whole piece. This would be worn by women wrapped around the waist with the seam running horizontally, forming an ìró (wrapped skirt). However, in this example there is only one strip of cloth.  \r\n","physicalDescription":"Cloth of àdìrẹ eleko (indigo-dyed and starch resist) cotton cloth. There is a pattern of alternating squares containing stars and cross hatching.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Indigo","id":"AAT13055"},{"text":"Cotton","id":"AAT14067"}],"techniques":[{"text":"resist dyeing","id":"AAT53053"}],"materialsAndTechniques":"Starch has been applied through a stencil to act as a resist to the indigo dye.","categories":[{"text":"Africa","id":"THES49019"},{"text":"Textiles","id":"THES48885"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2019LP1277"],"imageResolution":"low","galleryLocations":[{"current":{"text":"005","id":"THES312624"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Dress fabric","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Nigeria","id":"x30055"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1960-1964","earliest":"1960-01-01","latest":"1964-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Miss Mary Kirby","dimensions":[{"dimension":"Width","value":"83.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Length","value":"167","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This cloth hails from the Miss Mary Kirby bequest, a significant donation of global textiles acquired by the museum in 1964. Of the 70 textiles included in the acquisition, 28 were produced or sold in West Africa. Miss Kirby was a passionate textiles teacher, author, and collector. She taught weaving at the Central School, London, and in the 1950s spent many years in Ghana teaching textiles at the Kumasi College of Technology. Correspondence within the acquisition's Registered File indicate that she collected the textiles as educational aids.\r\n\r\nLabel on textile: '\"Adire eleko\" (indigo-dyed, starch resist) cloth. The starch resist is painted on the cloth, which is then dyed. West African; Contemporary. / Lent by the Victoria and Albert Museum'","historicalContext":"","briefDescription":"Àdìrẹ cloth, indigo starch resist-dyed cotton, Nigeria, 1960-1964","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CIRC.304-1964"],"accessionNumberNum":"304","accessionNumberPrefix":"CIRC","accessionYear":1964,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-10-20","recordCreationDate":"2008-03-12","availableToBook":false}}