{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1467735"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1467735/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EB6717/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EB6717/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EB6717","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6716","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6715","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6714","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6713","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6712","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6802","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EC9282","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EB6709","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1467735/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1467735","accessionNumber":"MSL/1902/1707 (Reid 64)","objectType":"Manuscript","titles":[{"title":"Book of Hours for the use of Rome, known as the 'Bentivoglio Hours'","type":""}],"summaryDescription":"","physicalDescription":"Foliation: I (20th-century parchment) + 112 + ii (as f.i) ff.\r\nNumber of lines: 17 lines\r\nLanguage: Latin\r\nScript: Humanistic script by Pierantonio Sallando.\r\nTextual content:\r\nff. 1r-50r: Hours of the Virgin, headed “INCIPIT OFFICIUM BEATAE MARIAE SECUNDUM CONSUETUDINEM ROMANAE CURIAE” in alternate gold and blue capitals, with variants for different weekdays.\r\nff. 51r-66r: Penitential psalms, headed “INCIPIUNT SEPTEM PSALMI PENITENTIALES,” with a litany (ff. 58v-63r) followed by psalms 69 and 10 collects.\r\nff. 67r-99v: Office of the Dead, Use of Rome, headed “INCIPIT OFFICIUM MORTUORUM AD VESPERAS.”\r\nff. 100r-108v: Office of the cross, headed “INCIPIT OFFICIUM SANCTISSIME CRUCIS.”\r\nff. 109r-112v: Office of the Holy Spirit, headed “INCIPIT OFFICIUM SANCTI SPIRITUS.”\r\n\r\nDecoration:\r\nFull borders of two types: in the Florentine manner with panels within individual beaded-fillet Florentine frame; the panels have monochrome grounds (brushed gold, blue, red) and contain candelabra, armour, griffons, cornucopiae, jewellery, vases, satyrs, animals and grotesques; with monochrome ground strewn with similar decorative devices.\r\n\r\nHistoriated initials: faceted letter-shapes in red, brushed gold or grey on contrasting monochrome grounds with designs highlighted in brushed gold:\r\nHours of the Virgin, Matins: historiated initial D with an Annunciation (f. 1r); Lauds: historiated initial D with St Peter holding the keys (f. 16r); Prime: historiated initial D with the Christ holding a staff and a book (f. v25r); Terce: historiated initial D with St Jerome striking his breast before a cross (f. 29r);  Sext: historiated initial D with St Paul holding a sword and a book (f. 33r); None: miniature (bust of Virgin and Child) with a small D in the top right-hand corner (f. 37r); Vespers: historiated initial D with a saint with cross and book (f. 41r); Compline: historiated initial C featuring St Anthony with bell and book (f. 47r); Penitential Psalms: historiated initial D with David in penitence, bare-headed (f. 51r); Office of the Dead: historiated initial D with a skull (f. 67r); Office of the Cross, Matins: historiated initial D with the Christ as Man of Sorrows before a cross (f. 100r); Prime: historiated initial D with half-frame border and a turbaned prophet (f. 102r); Terce: historiated initial D with half-frame border and Bernardino of Sienna (f. 103r); Sext: historiated initial D with half-frame border and a youthful saint with long curly hair holding a sword (f. 104r); None: historiated initial D with half-frame border and Mary Magdalen, holding vase (f. 105r); Vespers: historiated initial D with half-frame border and a youthful Dominican saint, holding book and flower (f. 106r); Compline: historiated initial C with half-frame border with a youthful saint holding book and martyr’s palm (f. 107r); Office of the Holy Spirit, Matins with a historiated initial D featuring a Dove standing on blank scroll above drops of blood (f. 109r).\r\n\r\nBinding\r\n1)\t16th/17th century, Italy : red morocco over boards, covers tooled in gold : a frame with floral design at each corner, a central panel with floral corner-pieces and a centrepiece (on front cover a Crucifix amidst stars; on rear cover St John the Baptist with cross over his shoulder gesturing with left hand, amidst stars) ; four raised bands on spine; remains of two clasps, hinged from upper cover.\r\n2)\t20th century, England (?): resewn, new parchment end-papers\r\n","artistMakerPerson":[{"name":{"text":"Sallando, Pierantonio","id":"AUTH351065"},"association":{"text":"scribes","id":"AAT25580"},"note":""},{"name":{"text":"di Giovanni Bossi, Bartolomeo","id":"AUTH351067"},"association":{"text":"illuminators","id":"AAT25122"},"note":""},{"name":{"text":"Bentivoglio, Giovanni II","id":"N14974"},"association":{"text":"patrons","id":"AAT115251"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"parchment","id":"AAT11851"},{"text":"ink","id":"AAT15012"},{"text":"pigment","id":"AAT13109"},{"text":"gold","id":"AAT11021"},{"text":"red morocco","id":"x39834"},{"text":"metal","id":"AAT10900"},{"text":"","id":""}],"techniques":[{"text":"illumination","id":"AAT220539"}],"materialsAndTechniques":"ink, pigments and gold on parchment.  Binding: red morocco, metal","categories":[{"text":"Books","id":"THES48986"},{"text":"Manuscripts","id":"THES48922"},{"text":"Medieval and renaissance","id":"THES271264"},{"text":"Books of Hours","id":"THES282276"},{"text":"National Art Library","id":"THES271541"}],"styles":[],"collectionCode":{"text":"NAL","id":"THES48605"},"images":["2010EB6717","2010EB6716","2010EB6715","2010EB6714","2010EB6713","2010EB6712","2010EB6802","2010EC9282","2010EB6709"],"imageResolution":"high","galleryLocations":[{"current":{"text":"NAL","id":"THES251738"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Manuscript","id":"AAT28569"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Bologna (city)","id":"x32618"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1494-1503","earliest":"1494-01-01","latest":"1503-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"210","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"150","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"128","unit":"mm","qualifier":"written area","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"85","unit":"mm","qualifier":"written area","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"1)\tMade in 1494-1503 for Giovanni II Bentivoglio (1443-1508), ruler of Bologna from 1463 to 1506 (his arms on f. 1r).\r\n2)\tCollection of George Reid, who had bought it from Quaritch.\r\n3)\tGiven to the Museum by George Reid in 1902.\n","historicalContext":"","briefDescription":"Manuscript, Book of hours, use of Rome, known as the 'Bentivoglio Hours', Bologna, ca. 1494-1503.","bibliographicReferences":[{"reference":{"text":"'The Reid Gift - I'. <u>The Burlington Magazine</u>, vol. 1, no.3, 1903, pp. 388-390.","id":"AUTH348900"},"details":"p. 389","free":""},{"reference":{"text":"Ker, N.R.<u> Medieval Manuscripts in British Libraries I</u>. Oxford: 1967.","id":"AUTH348652"},"details":"p. 384","free":""},{"reference":{"text":"Alexander, J.J.G. and A.C. de la Mare. <u>The Italian manuscripts in the library of Major J.R. Abbey</u>. London, 1969.","id":"AUTH348830"},"details":"pp.140, 141","free":""},{"reference":{"text":"Whalley, J.I. and V.Kaden (eds.). <u>The universal penman. A survey of western calligraphy from the Roman period to 1980</u>. London: 1980.","id":"AUTH348666"},"details":"p. 36, no. 61","free":""},{"reference":{"text":"Whalley, J.I.<u>The pen's excellencie. Calligraphy of western Europe and America</u>. Tunbridge Wells: 1980.","id":"AUTH348653"},"details":"col. pl. 4","free":""},{"reference":{"text":"Bollati, M. (ed).<u>Dizionario biografico dei miniatori italiani secoli IX-XVI</u>. Preface by Mikós Boskovits. Milan, 2004.","id":"AUTH348798"},"details":"pp. 126, 181","free":""},{"reference":{"text":"Watson, R. <u>Western Illuminated Manuscripts.Victoria and Albert Museum. A catalogue of works in the National Art Library from the eleventh to the early twentieth century, with a complete account of the George Reid Collection</u>. London, 2011.","id":"AUTH348315"},"details":"Vol. 2, cat. 121. 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