{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1461217"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1461217/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JE0960/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JE0960/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2016JE0960","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1461217","accessionNumber":"S.691-1991","objectType":"Costume design","titles":[{"title":"Don Giovanni","type":"generic title"}],"summaryDescription":"Costume design by Michael Annals for Esther Hinds as Donna Elvira in Mozart's opera <i>Don Giovanni</i>, New York City Opera, Lincoln Center, New York, 1980.\n\nMichael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, <i>The Royal Hunt of the Sun</i> (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's <i>Long Day's Journey into Night</i> starring Laurence Olivier, Hecht and MacArthur's <i>The Front Page</i> and Shaw's <i>Heartbreak House</i>. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.","physicalDescription":"Costume design for Esther Hinds as Donna Elvira in <i>Don Giovanni</i>. Female figure wearing a deep pink 17th century style costume, consisting of a cape with buttons and wide sleeves, worn over a dress with full sleeves narrowing to lace cuffs, a sketchily drawn foreshortened skirt, a wide brimmed hat and gloves. Annotated by the artist with the opera title, the opera company, the date and the character's name, and the letter J, in ink. 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