{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O145297"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O145297/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BW4927/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BW4927/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BW4927","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2008BW4928","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HP4051","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KB7677","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O145297/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O145297","accessionNumber":"IM.65-1927","objectType":"Sculpture","titles":[],"summaryDescription":"One of the most influential image types of the Ayutthaya period (1350-1767) is this one in which the Buddha wears a crown and royal robes and makes the gesture of the double <i>abhaya mudra</i> meaning 'bestowing fearlessness'. According to Thai legend it represents the occasion on which the Buddha appeared in royal robes to subdue a heretic Indian king called Jambhupati.","physicalDescription":"A standing figure of Dipankara Buddha with feet together with both hands and palms raised in <i>abhaya mudra</i>.  The robe clings closely to the body, but falls at the back like a chasuble.The chaplet on the forehead, the deep collar on the shoulders and the girdle, are all provided with sockets for precious stones with gilt.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"bronze","id":"AAT10957"}],"techniques":[{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Bronze cast by the<i> cire-perdue</i> (lost wax) process with gilt","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Buddhism","id":"THES48984"}],"styles":[],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2008BW4927","2008BW4928","2015HP4051","2017KB7677"],"imageResolution":"high","galleryLocations":[{"current":{"text":"47A (VA)","id":"THES49797"},"free":"","case":"CA001","shelf":"","box":""}],"partTypes":[[{"text":"Figure","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Thailand","id":"x30017"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"14th century -15th century","earliest":"1300-01-01","latest":"1500-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"13.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"4.25","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"2.375","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This object was purchased by the Victoria & Albert Museum in 1927 from Mr. E.G. Sebastian, D.S.O., C.B.E. (1892-1978). It was part of a collection of sculpture and pottery assembled by E.G. Sebastian during his years in Thailand (c.1922/1923-1927), where he initially served as a student interpreter in the British Far Eastern Consular Service, and was an active member of the Siam Society. \r\nSee Victoria & Albert Museum registered file MA/1/S1054.","historicalContext":"","briefDescription":"standing Dipankara Buddha; Sculpture, bronze, Thailand","bibliographicReferences":[],"production":"Ayuthia period","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"E. G. Sebastian","id":"C7136"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"Buddhist","id":"AAT73738"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"CROWNED BUDDHA\t\r\nBronze gilded\r\nAyutthaya\r\n16th century\r\n\r\nIM 65-1927\r\n\r\n\r\nOne of the most influential image types of the Ayutthaya period (1350-1767) is this one in which the Buddha wears a crown and royal robes and makes the gesture of the double abhaya mudra meaning ‘bestowing fearlessness’. According to Thai legend it represents the occasion on which the Buddha appeared in royal robes to subdue a heretic Indian king called Jambhupati.\r\n","date":{"text":"1/10/2008","earliest":"2008-10-01","latest":"2008-10-01"}}],"partNumbers":["IM.65-1927"],"accessionNumberNum":"65","accessionNumberPrefix":"IM","accessionYear":1927,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2020MP1965"],"recordModificationDate":"2026-06-04","recordCreationDate":"2008-02-14","availableToBook":false}}