{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1441777"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1441777/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LD0443/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LD0443/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018LD0443","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1441777/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1441777","accessionNumber":"E.329-2018","objectType":"Photograph","titles":[{"title":"Auto-Chemigram 10/2/81 I ‘Pierre Cordier'","type":"assigned by artist"}],"summaryDescription":"Pierre Cordier, born in Brussels, invented the chemigram in 1956 and has pioneered its artistic development ever since. Working like a painter, Cordier replaces the canvas with photographic paper. Changes in shape and pattern are created both deliberately and randomly by introducing scratched marks, varnish, wax, oil, glue, syrup, egg and other materials.  Physical reactions of these layers, often made after repeatedly dipping the paper in developer and fixer, are registered on the photosensitive emulsion. The chemigram is a camera-less technique, but it is not a photograph nor a photogram since it does not rely solely on light to produce the image. Nor can it be described as a print, since negatives or printing plates are not involved and the result is unique.  In Cordier’s work, the process itself becomes the artwork. ","physicalDescription":"Imprint of a man's face with closed eyes against a black background","artistMakerPerson":[{"name":{"text":"Pierre Cordier","id":"AUTH315740"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Photographic paper","id":"AAT14190"}],"techniques":[{"text":"","id":""}],"materialsAndTechniques":"Chemigram","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LD0443"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"COS","shelf":"SH3","box":""}],"partTypes":[[{"text":"Photographs","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1981","earliest":"1981-01-01","latest":"1981-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Gift of Pierre Cordier","dimensions":[{"dimension":"Height","value":"292","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"444","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Chemigram by Pierre Cordier, 'Auto-Chemigram 10/2/81 I ‘Pierre Cordier'’, 1981","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Known and Strange: Photographs from the Collection (2021-2022)\r\nPhotography Centre, Gallery 101</b>\r\n\r\nPierre Cordier (born 1933)\n\r\nAuto-Chemigram 10/2/81 I ‘Pierre Cordier'\r\n1981\n\r\nIn 1956, Pierre Cordier invented the chemigram, describing it as ‘the physics of painting and the chemistry of photography’. The chemigram is a camera-less technique that sits between established artforms – it is not a photograph or a photogram, since it does not rely solely on light to produce the image. Each result is unique. Here, Cordier applied cosmetic cream and pressed photographic paper to his face. The cream acted as a barrier to the developing chemicals when the paper was exposed to light, leaving a distorted and multi-dimensional self-portrait. \n\r\nChemigram\r\nGift of Pierre Cordier\r\nMuseum no. E.329-2018\r\n","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.329-2018"],"accessionNumberNum":"329","accessionNumberPrefix":"E","accessionYear":2018,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-09","recordCreationDate":"2018-06-06","availableToBook":false}}