{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1441255"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1441255/"}},"images":null,"see_also":null},"record":{"systemNumber":"O1441255","accessionNumber":"PH.1364-1901","objectType":"Photograph","titles":[{"title":"Tapestry, Royal Palace, Madrid","type":"generic title"},{"title":"Tapestries of the Royal Palace, Madrid","type":"series title"}],"summaryDescription":"","physicalDescription":"One of 123 sepia-coloured photographs of tapestries from the Royal Palace, Madrid, mounted in a green leather-bound album with gilt embossing.","artistMakerPerson":[{"name":{"text":"Laurent, Jean","id":"A26347"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"albumen process","id":"AAT133274"}],"materialsAndTechniques":"Albumen print from wet-collodion on glass negative","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Tapestry","id":"THES48887"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"75","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"albumen print","id":"AAT127121"}],[{"text":"album","id":"AAT26695"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Madrid","id":"x32463"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"ca. 1879","earliest":"1874-01-01","latest":"1883-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"560","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"album","note":""},{"dimension":"Width","value":"435","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"album","note":""},{"dimension":"Depth","value":"60","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"album","note":""},{"dimension":"Height","value":"411","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"album page","note":""},{"dimension":"Width","value":"510","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"album page","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Prince Leopold's Copy'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"pencil, first page of album"},{"content":"'THESE PHOTOGRAPHS, / TAKEN FROM / THE ROYAL TAPESTRY AT MADRID, / Were Given by M. IGNACE BAUER, of that City'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"label affixed to inside cover of album"}],"objectHistory":"Juan (or Jean) Laurent (1816–1886) is one of the most recognized figures in the history of Spanish photography. In his late twenties he moved from his native France to Madrid, where he lived and worked for forty-three years. Initially, he worked as a luxury paper and cardboard manufacturer, receiving a bronze medal at the 1845 Exposición de Industrias in Madrid and a silver medal at the1850 Exposición Española for his marbleized papers. Later, in 1856, he opened a photography studio on the Carrera de San Jerónimo in Madrid and quickly established a thriving portrait business, photographing prominent politicians and artists. His reputation as a skilled photographer led to his appointment as ―'Photographer to H. M. the Queen,' a title he prominently displayed in his trademark until 1868 when Queen Isabella II of Spain was dethroned. In 1858, in collaboration with the British photographer Charles Clifford, he was commissioned by the Spanish government to photograph the construction of the railroad line from Madrid to Alicante. This was the first of extensive projects Laurent undertook photographing Spanish public works, including railroad stations, bridges, ports, canals, and lighthouses. One such project was the preparation of five presentation albums of Spanish public works for the Exposition Universelle held in Paris in 1867.\n\r\nIn the early 1860s Laurent launched his encyclopedic photographic survey of Spanish and Portuguese architecture, which he initiated without institutional support. Laurent hired and trained professional photographers to travel all over the Iberian Peninsula to help with this vast undertaking. He soon had an archive of more than 6,340 negatives of Spanish and Portuguese city views, architecture, museum collections, and the contemporary art exhibited in national expositions. Photographs of regional inhabitants dressed in the traditional costumes of the Spanish provinces and situated in their native surroundings formed another facet of his repertoire. Notably, Laurent’s was the first commercial firm to photograph the art collections of the Prado Museum, the Royal Armory, and the Academy of San Fernando, earning him a place of honor with other distinguished European photography houses like Alinari in Italy and Adolphe Braun in France.\n\r\nOver time, Laurent assumed the role of editor and delegated much of the actual photographic work to his partners, associates, and assistants. He used the new Spanish railroads to transport his field laboratories and the new telegraph system to manage communications. He also acquired existing collections of negatives from other professional photographers like his peer and associate José Martínez Sánchez (1808–1874) for his archive. In 1868 he opened a sales outlet in Paris, where his views of Spain reached an ever-widening European market.By 1878 he had thirty correspondents selling his photographs across Spain and abroad. To expand his business further, he advertised on handbills and in newspapers; between 1861 and 1879 he published numerous photographic catalogues assembled from his offerings. Laurent made available a range of products appealing to every taste, from low-cost cartes de visite and stereoscopic prints to large single sheets that could be compiled into albums according to customer preference. He became the most important and recognizable trade photographer in nineteenth-century Spain through the successful commercialization of his excellent archive of Spanish art and architecture.\n\r\nLong after Laurent had retired from business, family members and successor administrators continued to commercialize his archive of glass negatives. Images from the archive were published in postcards, newspapers, periodicals, guidebooks, encyclopedias, and art history tomes well into the twentieth century. In 1881 Laurent ceded his share of Laurent and Company to his stepdaughter, Catalina Melina Dosch de Roswag, who then managed it with the help of her husband, Alfonso Roswag, Laurent’s longstanding business partner. After Laurent’s death in 1886 at age seventy the firm eventually foundered, and was sold. Another Frenchman, Joseph Lacoste (born 1872), bought the archive in 1900 and profitably administered it for the next fifteen years. When Lacoste left Spain to fight for the French armed forces in 1915, the archive passed to various new owners such as Juana Roig and Joaquín Ruiz Vernacci. The family of Ruiz Vernacci sold the twelve thousand glass negatives to the Spanish Ministry of Culture in 1975, where today they are a treasured resource for the study and conservation of Spanish national patrimony.\n\n-- Text by Thomas A O'Callagham taken from the checklist of the exhibition <i>The Solemnity of Shadows: Juan Laurent’s Vision of Spain, </i>National Gallery of Art, November 7–December 30, 2011\n","historicalContext":"","briefDescription":"Photograph by Jean Laurent & Co., 'Tapestry, Royal Palace, Madrid', albumen print, ca. 1879","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Fontanella, Lee.  <i>La historia de la fotografia en España:  Desde sus orignes hasta 1900</i>. Madrid, 1981"},{"reference":{"text":"","id":""},"details":"","free":"Gil-Diez Usandizaga, Ignacio, ed.  <i>Las fotografias de J. Laurent (1816-1886) y La Rioja</i>.  Lograño, 2011"},{"reference":{"text":"","id":""},"details":"","free":"Teixidor, Carlos, Carlos Nárdeiz, José Ramon Navorro, Ignacio González, José Aguilar, Dor Nicolás, and José Maria de Ureña.  <i>Obras públicas de España:  Fotografias de J. Laurent, 1858-1870</i>.  Edited by Francisco Javier Rodriquez and José Maria Coronado.  Ciudad Real, 2003."},{"reference":{"text":"","id":""},"details":"","free":"Priega, Carmen, Ana Gutiérrez, Isabel Argerich, and Purificaion Nájera.  <i>Jean Laurent en el Museo Municipal de Madrid</i>, vol. 1. Edited by Isabel Tuda. Madrid, 2005."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[{"text":"Palacio Real de Madrid","id":"THES253768"}],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"tapestries","id":"AAT205002"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["PH.1364-1901"],"accessionNumberNum":"1364","accessionNumberPrefix":"PH","accessionYear":1901,"otherNumbers":[{"type":{"text":"J. Laurent & Co. catalogue number","id":"THES281449"},"number":""}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-05","recordCreationDate":"2018-05-30","availableToBook":false}}