{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1439184"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1439184/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LD0105/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LD0105/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2018LD0105","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1439184","accessionNumber":"RPS.1827-2018","objectType":"Photograph","titles":[{"title":"Anna Brownell Murphy Jameson, Art Historian and Essayist","type":"generic title"},{"title":"Anna Brownell Jameson (née Murphy)","type":"alternative title"}],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Adamson, Robert","id":"A11654"},"association":{"text":"photographer","id":"x43821"},"note":""},{"name":{"text":"Hill, David Octavius","id":"N4882"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Hill & Adamson","id":"AUTH382430"},"association":{"text":"photographers","id":"AAT25687"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"photography","id":"AAT54225"},{"text":"carbon print","id":"AAT53500"}],"materialsAndTechniques":"","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Scotland","id":"THES262877"},{"text":"The Royal Photographic Society","id":"THES281081"}],"styles":[{"text":"mid 19th century","id":"x41031"}],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2018LD0105"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"XRP","shelf":"1546","box":""}],"partTypes":[[{"text":"photographs","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Scotland","id":"x29130"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1843-1847","earliest":"1843-01-01","latest":"1847-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.","dimensions":[{"dimension":"Width","value":"406","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Height","value":"508","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"The famous partnership and collaboration between the artist David Octavius Hill and the photographer Robert Adamson came into being originally in order to produce photographic portraits to assist Hill as a painter. The team produced a wide range of superb, valuable work and they were the first consistently  and successfully employ calotype process in Great Britain.\r\n\r\n1843 Hill was introduced to Adamson and they began to collaborate on the production of calotype portraits as reference images for the painting ‘The Signing of the Deed of Demission’ which represents 474 dignitaries. Essentially, Hill posed and arranged the individual sitters or groups while Adamson attended to the technical aspects of the exposure, processing, and printing.\r\n\r\nSome of their most powerful images, however, were made in Scottish seashore villages and depict fishermen and women. They also photographed  the architecture and monument of Scotland  and made calotypes of their friends posed in medieval armour or costumes.","briefDescription":"Photograph by David Octavius Hill and Robert Adamson, 'Anna Brownell Jameson', calotype negative taken 1843-1847, carbon reprint from the Alvin Langdon Coburn gift to the RPS collection, 1930","bibliographicReferences":[{"reference":{"text":"Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374","id":"AUTH361378"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Jameson, Anna Brownell","id":"N4968"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["RPS.1827-2018"],"accessionNumberNum":"1827","accessionNumberPrefix":"RPS","accessionYear":2018,"otherNumbers":[{"type":{"text":"National Galleries of Scotland, Hill & Adamson 1981 Catalogue, page and classification","id":"THES293330"},"number":"pg. 138 (a)"},{"type":{"text":"National Galleries of Scotland, Hill & Adamson 1981 Catalogue, page and classification","id":"THES293330"},"number":"pg."}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-03-25","recordCreationDate":"2018-05-08","availableToBook":false}}