{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1439130"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1439130/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LD0010/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LD0010/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2018LD0010","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018LD0009","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1439130","accessionNumber":"RPS.1787-2018","objectType":"Photograph","titles":[{"title":"Hugh Miller, sculptor","type":"assigned by artist"},{"title":" Hugh Miller, Geologist, Journalist and Editor of The Witness newspaper","type":"generic title"}],"summaryDescription":"","physicalDescription":"A man wearing a white shirt and open wasitcoat rests with his elbow on tombstone with ivy. His sleeves are rolled up, he has sideburns forming a beard, and he looks off to his left hand side, almost in profile.","artistMakerPerson":[{"name":{"text":"Adamson, Robert","id":"A11654"},"association":{"text":"photographer","id":"x43821"},"note":""},{"name":{"text":"Hill, David Octavius","id":"N4882"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Hill & Adamson","id":"AUTH382430"},"association":{"text":"photographers","id":"AAT25687"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"","id":""}],"techniques":[{"text":"photography","id":"AAT54225"},{"text":"carbon print","id":"AAT53500"}],"materialsAndTechniques":"Carbon reprint","categories":[{"text":"Photographs","id":"THES48910"},{"text":"The Royal Photographic Society","id":"THES281081"}],"styles":[{"text":"mid 19th century","id":"x41031"}],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2018LD0010","2018LD0009"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"MB005","shelf":"BY006","box":"XRP 277"}],"partTypes":[[{"text":"photographs","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Scotland","id":"x29130"},"association":{"text":"photographed","id":"x30151"},"note":""},{"place":{"text":"Edinburgh","id":"x28816"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"ca. 1843","earliest":"1838-01-01","latest":"1847-12-31"},"association":{"text":"photographed","id":"x30151"},"note":"Miller published an article on the Calotype in The Witness on 12 July, 1843. This portrait was referenced."}],"associatedObjects":[],"creditLine":"The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.","dimensions":[{"dimension":"Width","value":"275","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Height","value":"367","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"The famous partnership and collaboration between the artist David Octavius Hill and the photographer Robert Adamson came into being originally in order to produce photographic portraits to assist Hill as a painter. The team produced a wide range of superb, valuable work and they were the first consistently  and successfully employ calotype process in Great Britain.\r\n\r\n1843 Hill was introduced to Adamson and they began to collaborate on the production of calotype portraits as reference images for the painting ‘The Signing of the Deed of Demission’ which represents 474 dignitaries. Essentially, Hill posed and arranged the individual sitters or groups while Adamson attended to the technical aspects of the exposure, processing, and printing.\r\n\r\nSome of their most powerful images, however, were made in Scottish seashore villages and depict fishermen and women. They also photographed  the architecture and monument of Scotland  and made calotypes of their friends posed in medieval armour or costumes.","briefDescription":"Photograph by David Octavius Hill and Robert Adamson, 'Hugh Miller, sculptor', Geologist, Journalist and Editor of<i> The Witness</i> newspaper, calotype negative taken ca. 1843, carbon reprint from the Alvin Langdon Coburn gift to the RPS collection, 1930","bibliographicReferences":[{"reference":{"text":"Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374","id":"AUTH361378"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Miller, Hugh","id":"N11521"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["RPS.1787-2018"],"accessionNumberNum":"1787","accessionNumberPrefix":"RPS","accessionYear":2018,"otherNumbers":[{"type":{"text":"University of Glasgow, Hill and Adamson Collection negative number","id":"THES293294"},"number":"HA0523"},{"type":{"text":"National Galleries of Scotland, Hill & Adamson 1981 Catalogue, page and classification","id":"THES293330"},"number":"pg. 91 (c)"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-02","recordCreationDate":"2018-05-08","availableToBook":false}}