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This technique produced a glass negative, which combined the reproducibility of paper negatives with the sharpness of daguerreotypes. Archer designed this camera, which is also a portable darkroom, with sleeves he could put his hands through to process the glass plate. An amber window allowed him to look inside without spoiling the exposure. His image here of Gothic ruins was a typical subject at the time for British photographers. \r\n\r\nWooden construction camera\r\nMuseum no. RPS.1103-2018\r\n\r\nAlbumen prints bound in album\r\nMuseum no. RPS.1205-2018\r\n\r\nYou can see how wet collodions are made in the ‘Dark Tent’ film room in Room 99 .\r\n\r\nThe Royal Photographic Society Collection at the V&amp;A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund\r\n","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["RPS.1103:1-2018","RPS.1103:2-2018","RPS.1103:3-2018","RPS.1103:4-2018","RPS.1103:5-2018"],"accessionNumberNum":"1103","accessionNumberPrefix":"RPS","accessionYear":2018,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-27","recordCreationDate":"2018-02-09","availableToBook":false}}