{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1427015"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1427015/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LG5969/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LG5969/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018LG5969","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1427015/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1427015","accessionNumber":"E.204-2018","objectType":"Digital print","titles":[{"title":"Visual Theogonies: images of the computational god","type":"series title"}],"summaryDescription":"Fabrizio Augusto Poltronieri (born 1976) is a Brazilian artist, programmer and researcher. His practice explores the development of creative coding and the application of computers for aesthetical experimentation, both practical and philosophical. The ontology of chance is a recurrent theme in his artwork.\n\r\nDr Poltronieri is currently a lecturer at De Montfort University, Leicester where he is a member of IOCT (Institute of Creative Technologies) and teaches creative code in the Digital Arts. He holds a PhD in Semiotics from the Pontifical Catholic University of São Paulo (PUC/SP), Brazil, and wrote his thesis on the role of chance in computational art.\n\r\nThe artworks in Poltronieri’s <i>Visual Theogonies</i> series were inspired by the Ancient Greek poet Hesiod. The images were generated by a set of instructions based upon sentences taken from Hesiod’s poem ‘The Theogony’. Each work was created using the same guiding principle, but the order in which the instructions were implemented was decided by chance.\n\r\n","physicalDescription":"Digital print","artistMakerPerson":[{"name":{"text":"Fabrizio Augusto Poltronieri","id":"AUTH346833"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"ink","id":"AAT15012"}],"techniques":[{"text":"digital printing","id":"THES271371"}],"materialsAndTechniques":"Digital print","categories":[{"text":"Prints","id":"THES48903"},{"text":"Computer Art","id":"THES49037"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LG5969"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2E","shelf":"DR51","box":""}],"partTypes":[[{"text":"digital prints","id":"THES252756"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Brazil","id":"x30036"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2014","earliest":"2014-01-01","latest":"2014-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the artist","dimensions":[{"dimension":"Height","value":"59.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Length","value":"89.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"<i>Dionysus</i>, from the 'Visual Theogonies: images of the computational god' series, by Fabrizio Augusto Poltronieri, digital print, Brazil, 2014","bibliographicReferences":[],"production":"The software used to create this artwork was developed by the artist and written in the programming language Ruby on a Linux Box (a computer running the Linux open-source software operating system)","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Chance and Control: Art in the Age of Computers (2018)\r\n\r\nFABRIZIO AUGUSTO POLTRONIERI\r\n(born 1976)\r\n‘Dionysus’ from the series <i>Visual Theogonies:\r\nimages of the computational god</i>\r\nBrazil, 2014\n\r\nThe artworks in Fabrizio Augusto Poltronieri’s <i>Visual Theogonies</i> series were inspired by the Ancient Greek poet Hesiod. The images were generated by a set of instructions based upon sentences taken from Hesiod’s poem ‘The Theogony’. Each work was created using the same guiding principle, but the order in which the instructions were implemented was decided by chance.\n\r\nDigital print, after a computer-generated image\r\nGiven by the artist\r\nMuseum no. E.204-2018","date":{"text":"07/07/2018-18/11/2018","earliest":"2018-07-07","latest":"2018-11-18"}}],"partNumbers":["E.204-2018"],"accessionNumberNum":"204","accessionNumberPrefix":"E","accessionYear":2018,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-09","recordCreationDate":"2017-12-12","availableToBook":false}}