{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O141105"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O141105/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CD4183/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CD4183/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2009CD4183","copyright":"©Victoria and Albert Museum, London/Rigby & Peller","sensitiveImage":false},{"assetRef":"2009CD4184","copyright":"©Victoria and Albert Museum, London/Rigby & Peller","sensitiveImage":false},{"assetRef":"2006AF5045","copyright":"©Victoria and Albert Museum, London/Rigby & Peller","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O141105","accessionNumber":"T.604-1995","objectType":"Bra","titles":[],"summaryDescription":"Foundation garments of the 1950s  incorporated new light and highly tensile elastic panels, which reduced boning.  Other innovations included high-line zipped and step-in girdles and corselettes (combined bras and girdles).  \r\n\r\nNew supportive bras included plunge, half-cup and underwired designs.  Beautifully crafted bras were made by elite corsetiere Rigby & Peller (est. 1939). Here whirlpool, circular-cup stitching creates a tilted, pointed bustline.","physicalDescription":"Pink machine-made lace bra with padded and wired cups, trimmed with pink nylon satin.","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Rigby & Peller","id":"A10326"},"association":{"text":"designer and maker","id":"x34662"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"padding (material)","id":"AAT227860"},{"text":"boning","id":"x40996"},{"text":"nylon","id":"AAT14462"}],"techniques":[{"text":"machine lace-making","id":"x35048"},{"text":"satin weave","id":"x37324"}],"materialsAndTechniques":"Machine lace, nylon, boning","categories":[{"text":"Fashion","id":"THES48957"},{"text":"Accessories","id":"THES48998"},{"text":"Underwear","id":"THES48880"},{"text":"Womenswear","id":"THES49044"},{"text":"Europeana Fashion Project","id":"THES265804"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2009CD4183","2009CD4184","2006AF5045"],"imageResolution":"low","galleryLocations":[{"current":{"text":"008","id":"THES309574"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Brassiere","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1955","earliest":"1950-01-01","latest":"1959-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs J. Kenton of Rigby & Peller","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Rigby & Peller was established in South Molton Street by Mrs Rigby and Mrs Peller in 1939.  They remain elite bespoke corsetieres, but have also expanded to include high-street ranges.\r\n\r\nRegistered File number 1994/299.","historicalContext":"","briefDescription":"Bra, pink lace and satin, padded, wired cups, Rigby & Peller, London, England, ca. 1955.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"de la Haye, A., <u>The Cutting Edge</u> London: V&A Publications, 1997, p.182"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"UNDERWEAR [case label]\r\n\r\nA couture garment usually included meticulously constructed undergarments. They were either integrated into the structure of the garment, or made separately. \r\n\r\nIn creating the New Look after the war, Dior used firm underpinnings such as girdles, under-wired bustiers, and tulle and horsehair petticoats. He placed extra padding on the hips and bust to ensure a smooth womanly figure. \r\n\r\nAs the 1950s progressed, foundation and support garments became increasingly sophisticated. Lightweight materials such as nylon and new stretch fabrics ensured greater comfort. [81 words]\r\n\r\n[object label]\r\nBrassiere\r\nRigby & Peller\r\nLondon\r\n1950s\r\n\r\nNylon and lace, underwired\r\n\r\nGiven by Rigby & Peller\r\nV&A: T.604-1995","date":{"text":"22/09/2007","earliest":"2007-09-22","latest":"2007-09-22"}}],"partNumbers":["T.604-1995"],"accessionNumberNum":"604","accessionNumberPrefix":"T","accessionYear":1995,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-27","recordCreationDate":"2007-11-28","availableToBook":true}}