{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1410032"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1410032/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011FD0056/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011FD0056/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2011FD0056","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2007BM8535","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011FD0057","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1410032","accessionNumber":"L.223-1963","objectType":"Book","titles":[{"title":"The Germ : thoughts towards nature in poetry, literature and art","type":"published title"}],"summaryDescription":"","physicalDescription":"Binding worked by Florence de Rheims to a design by Constance Karslake. Brown calf, gold and blind tooled with leaf and grape design on upper and lower covers. Gilt and gauffered upper edge. \r\nLabel on endpaper reads: '25 copies printed on Japan vellum, acquired by the Guild of Women Binders. This is no. 10. [Signed] Thomas B. Mosher'. ","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Guild of Women-binders","id":"A9112"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"leather","id":"AAT11845"}],"techniques":[{"text":"bookbinding","id":"AAT53592"}],"materialsAndTechniques":"Brown calf binding with gold and blind tooling. 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Also entered into Class III of the Glasgow International Exhibition 1901; slip pasted into book after endpaper. ","historicalContext":"","briefDescription":"The Germ : thoughts towards nature in poetry, literature and art. Publisher: London : Guild of Women-binders, 1898. ","bibliographicReferences":[],"production":"","productionType":{"text":"Mass produced","id":"THES48863"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"BOOKBINDING for The Germ. Thoughts Towards Nature in Poetry, Literature and Art                                                                                                                \nAbout 1898                                                                                                                     \n\nBookbinding was popular with Arts and Crafts designers, especially with women designers. The Guild of Women Binders was set up in 1898 by the London bookseller Frank Karslake who wanted to train and employ women binders at his Hampstead bindery.                             \n\nBrown calf, gold and blind tooling with leaf and grape design on covers; gilt and gauffered upper edge                                                            \nBinding made by the Guild of Women Binders; worked by Florence de Rheims to a design by Constance Karslake                                                \nNational Art Library no. L.223-1963\r\n","date":{"text":"16/03/2018","earliest":"2018-03-16","latest":"2018-03-16"}}],"partNumbers":["38041800160285"],"accessionNumberNum":"38041800160285","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[{"type":{"text":"NAL Pressmark","id":"THES56809"},"number":"Drawer 78"},{"type":{"text":"NAL barcode","id":"THES50330"},"number":"38041800160285"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-10","recordCreationDate":"2017-08-17","availableToBook":false}}