{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1396330"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1396330/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KA8332/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KA8332/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2017KA8332","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA8331","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1396330","accessionNumber":"RPS.389-2017","objectType":"Photograph","titles":[{"title":"Portrait of an Elderly Woman","type":"generic title"}],"summaryDescription":"Claudet was a student of Daguerre,  and was among the first to  open a  photographic portrait studio in  London. Though praised for their  sharp and minute detail,   daguerreotypes were criticised by  many for making sitters appear  ashen and deathly due to their  grey  tones. To combat this, some portraits  were coloured by hand for a more  life-like effect. ","physicalDescription":"Daguerreotype of a half-length portrait of an elderly woman. The daguerreotype is in a mount with an oval window, in a leather-coated wooden case lined with red velvet that is hinged along the top edge. There is one metal hook fastening at the bottom of the case. Claudet's stamp is on the front of the case.","artistMakerPerson":[{"name":{"text":"Claudet, Antoine-François-Jean","id":"A7626"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"wood","id":"AAT11914"},{"text":"glass","id":"AAT10797"},{"text":"velvet","id":"AAT133711"},{"text":"metal","id":"AAT10900"}],"techniques":[{"text":"daguerreotype","id":"AAT53530"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Daguerreotype in a wooden case","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"The Royal Photographic Society","id":"THES281081"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2017KA8332","2017KA8331"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"MB1","shelf":"DR23","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"daguerreotype","id":"AAT127181"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Westminster","id":"x29482"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"c. 1841-51","earliest":"1836-01-01","latest":"1851-12-31"},"association":{"text":"photographed","id":"x30151"},"note":"Opened his studio at Royal Adelaide Gallery between 1841-51."}],"associatedObjects":[{"object":{"text":"PROV.6551-2017","id":"O1384110"},"association":"RPS Group record"}],"creditLine":"The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.","dimensions":[{"dimension":"Height","value":"69","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Width","value":"50","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"91","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Width","value":"72","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Depth","value":"14","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Green sticker with '99' stuck on the back of the case.\r\nBrown paper with '114' handwritten on it stuck on the glazing.\r\nWhite tape with '2495/J' handwritten on it stuck on the glazing.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"CLAUDETS DAGUERREOTYPE PROCESS / ADELAIDE GALLERY STRAND","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Stamp on the front of the case."}],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Antoine Claudet, Portrait of an Elderly Woman, daguerreotype, c. 1841-51.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre, 2018-20:</b>\r\n\r\nAntoine Claudet (1797–1867)\r\nPortraits: Andrew Pritchard; Mrs Andrew Pritchard; Michael Faraday; William Henry Fox Talbot; Young Man; Elderly Man; Young Man; Grandmother Houghton; Elderly Woman; George Houghton; Unknown Woman; John Flight; Young Woman, possibly from the Houghton Family\r\n1840s–50s\r\n\r\nClaudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect. \r\n\r\nDaguerreotypes\r\nMuseum nos. 57, 1422-1939; RPS.373, 374, 377, 378, 387, 388, 389, 426, 492, 495 & 532-2017\r\n\r\nThe Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["RPS.389-2017"],"accessionNumberNum":"389","accessionNumberPrefix":"RPS","accessionYear":2017,"otherNumbers":[{"type":{"text":"RPS collection - V&A identifier","id":"THES275176"},"number":"XRG994"},{"type":{"text":"Science Museum Group accession number","id":"THES275235"},"number":"2003-5001/2/28059"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"C7/S1"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"Cat no. 00D99"},{"type":{"text":"RPS identifier - inventory no.","id":"THES275184"},"number":"12996"},{"type":{"text":"Royal Photographic Society number","id":"THES275233"},"number":"114"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-27","recordCreationDate":"2017-06-07","availableToBook":false}}