{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1396325"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1396325/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KA8330/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KA8330/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2017KA8330","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1396325","accessionNumber":"RPS.388-2017","objectType":"Photograph","titles":[{"title":"Grandmother Houghton","type":"generic title"}],"summaryDescription":"Claudet was a student of Daguerre,  and was among the first to  open a  photographic portrait studio in  London. Though praised for their  sharp and minute detail,   daguerreotypes were criticised by  many for making sitters appear  ashen and deathly due to their  grey  tones. To combat this, some portraits  were coloured by hand for a more  life-like effect. ","physicalDescription":"Hand-tinted daguerreotype of a three-quarter length portrait of a middle-aged woman. The sitter is identified as 'Grandmother Hough...' in a label stuck on the glazing, which has been ripped. This daguerreotype is in a leather-coated wooden case lined with red velvet. There are two metal hook fastenings on the right edge of the case. Claudet's stamp is on the front of the case.","artistMakerPerson":[{"name":{"text":"Claudet, Antoine-François-Jean","id":"A7626"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"wood","id":"AAT11914"},{"text":"glass","id":"AAT10797"},{"text":"velvet","id":"AAT133711"},{"text":"metal","id":"AAT10900"}],"techniques":[{"text":"daguerreotype","id":"AAT53530"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Daguerreotype in a wooden case","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"The Royal Photographic Society","id":"THES281081"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2017KA8330"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"MB1","shelf":"DR23","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"daguerreotype","id":"AAT127181"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Westminster","id":"x29482"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"c. 1841-51","earliest":"1836-01-01","latest":"1851-12-31"},"association":{"text":"photographed","id":"x30151"},"note":"Opened his studio at Royal Adelaide Gallery between 1841-51."}],"associatedObjects":[{"object":{"text":"PROV.6551-2017","id":"O1384110"},"association":"RPS Group record"}],"creditLine":"The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.","dimensions":[{"dimension":"Height","value":"86","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Width","value":"63","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"118","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Width","value":"94","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Depth","value":"16","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Green sticker with '98' stuck on the back of the case.\r\nBrown paper with '109' handwritten on it stuck on the back of the case.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"CLAUDETS DAGUERREOTYPE / ROYAL ADELAIDE GALLERY","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Stamp on the front of the case."},{"content":"Grandmother Hough...\r\n2495E\r\nf109","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Written by different hands in different inks on a label stuck onto the top left corner of the glazing. The label has been ripped, so the Grandmother's name is incomplete."}],"objectHistory":"Gift no. 2495E.","historicalContext":"","briefDescription":"Photograph by Antoine Claudet, Portrait of Grandmother Houghton, daguerreotype, c. 1841-51.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre, 2018-20:</b>\r\n\r\nAntoine Claudet (1797–1867)\r\nPortraits: Andrew Pritchard; Mrs Andrew Pritchard; Michael Faraday; William Henry Fox Talbot; Young Man; Elderly Man; Young Man; Grandmother Houghton; Elderly Woman; George Houghton; Unknown Woman; John Flight; Young Woman, possibly from the Houghton Family\r\n1840s–50s\r\n\r\nClaudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect. \r\n\r\nDaguerreotypes\r\nMuseum nos. 57, 1422-1939; RPS.373, 374, 377, 378, 387, 388, 389, 426, 492, 495 & 532-2017\r\n\r\nThe Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["RPS.388-2017"],"accessionNumberNum":"388","accessionNumberPrefix":"RPS","accessionYear":2017,"otherNumbers":[{"type":{"text":"RPS collection - V&A identifier","id":"THES275176"},"number":"XRG994"},{"type":{"text":"Science Museum Group accession number","id":"THES275235"},"number":"2003-5001/2/28058"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"C7/D1"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"Cat no. 00D98"},{"type":{"text":"RPS identifier - inventory no.","id":"THES275184"},"number":"13031"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"Gift No. 2495E"},{"type":{"text":"Royal Photographic Society number","id":"THES275233"},"number":"109"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-27","recordCreationDate":"2017-06-07","availableToBook":false}}