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Rejlander created this allegorical tableau representing the choices of a young man between a Good life (shown on the right) and an Evil one (shown on the left) by piecing together over 30 separate glass negatives. Rejlander himself is the central 'father' figure. The photograph stirred up quite a controversy at the time when shown at the Manchester Art Treasures exhibition, but this did not prevent Queen Victoria from buying a copy for her husband Prince Albert. 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