{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1393328"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1393328/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KA8254/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KA8254/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2017KA8254","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA8253","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KJ9253","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KJ9255","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KU3537","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KU3538","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1393328","accessionNumber":"RPS.374-2017","objectType":"Photograph","titles":[{"title":"William Henry Fox Talbot","type":"generic title"}],"summaryDescription":"Claudet was a student of Daguerre, and was among the first to  open a photographic portrait studio in London. Though  praised for their sharp and minute detail,  daguerreotypes were criticised by many for making sitters appear ashen and  deathly due to their  grey tones. To combat this, some portraits were coloured by hand for a more life-like effect.","physicalDescription":"Daguerreotype of a portrait of William Henry Fox Talbot, kept in a leather-coated wooden case. The daguerreotype is in a mount with an oval window. The cover of the case has an embossed label: 'Adelaide Gallery Strand / Claudet's Daguerreotype Process'.","artistMakerPerson":[{"name":{"text":"Claudet, Antoine-François-Jean","id":"A7626"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"wood","id":"AAT11914"}],"techniques":[{"text":"daguerreotype","id":"AAT53530"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Daguerreotype in a wooden case","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"The Royal Photographic Society","id":"THES281081"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2017KA8254","2017KA8253","2017KJ9253","2017KJ9255","2018KU3537","2018KU3538"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"MB1","shelf":"DR23","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"daguerreotype","id":"AAT127181"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"c. 1844","earliest":"1839-01-01","latest":"1848-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"PROV.2524-2017","id":"O1382412"},"association":"RPS Group record"}],"creditLine":"The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.","dimensions":[{"dimension":"Height","value":"70","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Width","value":"58","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"94","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Width","value":"84","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Depth","value":"18","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case (closed)","note":""},{"dimension":"Height","value":"94","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case open","note":""},{"dimension":"Width","value":"180","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Case open","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"ADELAIDE GALLERY STRAND\r\nCLAUDET'S DAGUERREOTYPE PROCESS","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Embossed label on front cover of case."}],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Antoine Claudet, Portrait of William Henry Fox Talbot, daguerreotype, c. 1844.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Fox Talbot, William Henry","id":"A15794"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre, 2018-20:</b>\r\n\r\nAntoine Claudet (1797–1867)\r\nPortraits: Andrew Pritchard; Mrs Andrew Pritchard; Michael Faraday; William Henry Fox Talbot; Young Man; Elderly Man; Young Man; Grandmother Houghton; Elderly Woman; George Houghton; Unknown Woman; John Flight; Young Woman, possibly from the Houghton Family\r\n1840s–50s\r\n\r\nClaudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect. \r\n\r\nDaguerreotypes\r\nMuseum nos. 57, 1422-1939; RPS.373, 374, 377, 378, 387, 388, 389, 426, 492, 495 & 532-2017\r\n\r\nThe Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["RPS.374-2017"],"accessionNumberNum":"374","accessionNumberPrefix":"RPS","accessionYear":2017,"otherNumbers":[{"type":{"text":"RPS collection - V&A identifier","id":"THES275176"},"number":"XRP1516"},{"type":{"text":"Science Museum Group accession number","id":"THES275235"},"number":"2003-5001/2/20882"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"RPS CAB 7 DR 7"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-27","recordCreationDate":"2017-05-23","availableToBook":false}}