{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1393300"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1393300/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018KU6565/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018KU6565/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2018KU6565","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA9006","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KU3536","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1393300","accessionNumber":"RPS.373-2017","objectType":"Photograph","titles":[{"title":"Michael Faraday","type":"generic title"}],"summaryDescription":"Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though  praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and  deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect. ","physicalDescription":"A framed gold toned daguerreotype of a portrait of the scientist Michael Faraday. Several stickers on the verso of the frame denoting the title, artist, date, and various museum numbers.","artistMakerPerson":[{"name":{"text":"Claudet, Antoine-François-Jean","id":"A7626"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"}],"techniques":[{"text":"daguerreotype","id":"AAT53530"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Gold toned daguerreotype.","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"The Royal Photographic Society","id":"THES281081"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2018KU6565","2017KA9006","2018KU3536"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"MB1","shelf":"DR23","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"daguerreotype","id":"AAT127181"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1848","earliest":"1848-01-01","latest":"1848-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"PROV.2524-2017","id":"O1382412"},"association":"RPS Group record"}],"creditLine":"The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.","dimensions":[{"dimension":"Height","value":"172","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""},{"dimension":"Width","value":"149","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Someone attempted to clean this... [illegible]","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Verso of frame, handwritten in ink at the bottom, writing becomes illegible."}],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Antoine Claudet, Portrait of Michael Faraday, gold toned daguerreotype, 1848.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Faraday, Michael","id":"N7899"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre, 2018-20:</b>\r\n\r\nAntoine Claudet (1797–1867)\r\nPortraits: Andrew Pritchard; Mrs Andrew Pritchard; Michael Faraday; William Henry Fox Talbot; Young Man; Elderly Man; Young Man; Grandmother Houghton; Elderly Woman; George Houghton; Unknown Woman; John Flight; Young Woman, possibly from the Houghton Family\r\n1840s–50s\r\n\r\nClaudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect. \r\n\r\nDaguerreotypes\r\nMuseum nos. 57, 1422-1939; RPS.373, 374, 377, 378, 387, 388, 389, 426, 492, 495 & 532-2017\r\n\r\nThe Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["RPS.373-2017"],"accessionNumberNum":"373","accessionNumberPrefix":"RPS","accessionYear":2017,"otherNumbers":[{"type":{"text":"RPS collection - V&A identifier","id":"THES275176"},"number":"XRP1516"},{"type":{"text":"Science Museum Group accession number","id":"THES275235"},"number":"2003-5001/2/28222"},{"type":{"text":"RPS identifier - artist name","id":"THES275191"},"number":"RPS C7/D7"},{"type":{"text":"Royal Photographic Society number","id":"THES275233"},"number":"14"},{"type":{"text":"RPS identifier - misc.","id":"THES275193"},"number":"Cat. no. 72"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-27","recordCreationDate":"2017-05-23","availableToBook":false}}