{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O139033"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O139033/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BB4359/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BB4359/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BB4359","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O139033","accessionNumber":"PH.2321-1980","objectType":"Photograph","titles":[{"title":"Civilian defense","type":"generic title"}],"summaryDescription":"","physicalDescription":"Black and white photograph of a reclining nude female wearing a gas mask, with her legs crossed, positioned in front of a palm branch. ","artistMakerPerson":[{"name":{"text":"Weston, Edward","id":"A11973"},"association":{"text":"photographer","id":"AAT25687"},"note":""},{"name":{"text":"Weston, Cole","id":"A12473"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"gelatin silver process","id":"AAT139114"}],"materialsAndTechniques":"Gelatin silver print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[{"text":"art photography","id":"AAT178594"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BB4359"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"1009","box":"A"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United States","id":"x29333"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1942","earliest":"1942-01-01","latest":"1942-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""},{"date":{"text":"c.1980","earliest":"1975-01-01","latest":"1984-12-31"},"association":{"text":"printed","id":"x46159"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"32.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"26","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Edward Weston, 'Civilian Defense', gelatin silver print, 1942","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"nudes","id":"AAT189568"},{"text":"gas masks","id":"AAT24800"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Gallery 100, 2016-17:</b>\n\nEdward Weston (1886–1958)\r\n‘Civilian Defense’\r\n1942\n\r\nAfter the bombing of Pearl Harbour in 1941, American photographer Edward Weston was posted as an air-raid warden. In this image he photographed his wife wearing her government-issued gas mask and posing beside the palm of peace. The traditional artists’ subject of the reclining female nude is compromised by wartime necessity.\n\r\nGelatin silver print\r\nMuseum no. Ph.2321-1980","date":{"text":"","earliest":null,"latest":null}},{"text":"Unspecified exhibition label:\r\n\r\nWeston began a new series of works in 1942. Following the Japanese bombing of Pearl Harbour, Weston became an air-raid warden at Point Lobos, formerly his favourite photographic site. Californians were equipped with gas-masks in preparation for enemy attack. This tableau, sometimes called Victory, shows Weston's wife Charis nude on a couch wearing a gas mask and accompanied by the palm of peace: the classic artistic subject of the nude comprised by wartime necessity and rhetoric. He wrote of this as 'one of the great photographs on which I will stake my reputation'.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["PH.2321-1980"],"accessionNumberNum":"2321","accessionNumberPrefix":"PH","accessionYear":1980,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-17","recordCreationDate":"2007-09-07","availableToBook":false}}