{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1390257"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1390257/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017JY2623/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017JY2623/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017JY2623","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1390257/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1390257","accessionNumber":"E.338-2017","objectType":"Print","titles":[{"title":"To the Friends of Negro Emancipation","type":"published title"}],"summaryDescription":"","physicalDescription":"A black man, full-length, shown with his arms raised in joy and surrounded by his wife and four children.","artistMakerPerson":[{"name":{"text":"Lucas, David","id":"A16057"},"association":{"text":"Engraver","id":"x30810"},"note":""},{"name":{"text":"Rippingille, Alexander","id":"AUTH344132"},"association":{"text":"Artist","id":"AAT25103"},"note":""},{"name":{"text":"Moon, F.G.","id":"A34669"},"association":{"text":"Publisher","id":"x32600"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Lloyd and Henning","id":"AUTH382428"},"association":{"text":"printers","id":"x31107"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"mezzotint","id":"AAT53233"}],"materialsAndTechniques":"","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2017JY2623"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EM","shelf":"13","box":""}],"partTypes":[[{"text":"Print","id":"AAT41273"}]],"contentWarnings":[{"apprise":"Yes-general","note":"NB: The term \"negro\" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context."}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1834","earliest":"1834-01-01","latest":"1834-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Accepted in lieu of Inheritance Tax by H M  Government from the estate of the Hon. Christopher Lennox-Boyd and allocated to the Victoria and Albert Museum 2015.","dimensions":[{"dimension":"Height","value":"36","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate mark","note":""},{"dimension":"Width","value":"25.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate mark","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Lettered below image: Painted by Alex.r Rippingville./Engraved by David Lucas./To the Friends of NEGRO EMANCIPATION, this Print is Inscribed. A GLORIOUS AND HAPPY ERA ON THE FIRST OF AUGUST, BURSTS UPON THE WESTERN WORLD;/ENGLAND STRIKES THE MANACLE FROM THE SLAVE AND BIDS THE BOND GO FREE./London, Pub.d by F.G. MOON, Printseller to the King, 20, Threadneedle Street, August 1, 1834./Sold also by Hodgson, Boys and Graves, 6 Pall Mall; Ackerman, Strand, & C. Tilt, Fleet St. I.I./Printed by [illegible] oyd and Hennings","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"NB: The term \"negro\" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context.\r\n\r\nThis print is from the Lennox-Boyd collection of mezzotints by David Lucas, chiefly after John Constable, acquired in lieu of Inheritance Tax by H M Government from the estate of the Hon. Christopher Lennox-Boyd and allocated to the Victoria and Albert Museum in 2015. Lennox-Boyd formed the finest collection of British mezzotints in private hands anywhere, totalling approximately 50,000 prints. While his main focus was mezzotints, his collection also contained 18th century picture frames, antique women’s shoes, fans and printed handkerchiefs. He also collected printed ephemera, examples of which the museum has also acquired, and watercolours in the 1970s. In 1963 Lennox-Boyd bought Sanders of Oxford, on the High Street, transforming it from a bookshop into a premier seller of fine prints, maps, engravings and 20th-century etchings. He published several works including <i>Theatre Prints in the Age of Garrick</i> and <i>George Stubbs: The Complete Engraved Works</i>.","historicalContext":"","briefDescription":"Print, To the Friends of Negro Emancipation, engraved by David Lucas after Alexander Rippingille, 1834","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.338-2017"],"accessionNumberNum":"338","accessionNumberPrefix":"E","accessionYear":2017,"otherNumbers":[{"type":{"text":"Previous owner's number","id":"THES57329"},"number":"P28,228"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-17","recordCreationDate":"2017-04-24","availableToBook":false}}