{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1389998"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1389998/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LF7540/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LF7540/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2018LF7540","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1389998","accessionNumber":"S.613-1991","objectType":"Costume design","titles":[{"title":"Engaged","type":"generic title"}],"summaryDescription":"Costume design by Michael Annals for Jonathan Pryce as Belvawney in Act I of W.S. Gilbert's play <i>Engaged</i>, National Theatre Company, Old Vic, 1975.\n\nMichael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, <i>The Royal Hunt of the Sun</i> (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's <i>Long Day's Journey into Night</i> starring Laurence Olivier, Hecht and MacArthur's <i>The Front Page</i> and Shaw's <i>Heartbreak House</i>. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.","physicalDescription":"Costume design for Jonathan Pryce as Belvawney in Act I of <i>Engaged</i>. Full length male figure wearing an Inverness coat over olive trousers and matching double-breastd waistcoat, a black jacket and a white shirt with a large black bow tie. He has a black fedora and spectacles. Annotated by the artist with the play title, the theatre company, the date, the character's name, the actor's name and the act number, in ink, and costume details in pencil. 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Gilbert's play <i>Engaged</i>, National Theatre Company, Old Vic, 1975","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["S.613-1991"],"accessionNumberNum":"613","accessionNumberPrefix":"S","accessionYear":1991,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-08","recordCreationDate":"2017-04-21","availableToBook":true}}