{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O138506"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O138506/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EU9404/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EU9404/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2011EU9404","copyright":"©Victoria and Albert Museum, London/Dorothea Wight","sensitiveImage":false},{"assetRef":"2008BU3059","copyright":"©Victoria and Albert Museum, London/Dorothea Wight","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O138506","accessionNumber":"E.3031-2007","objectType":"Print","titles":[{"title":"October Morning","type":"assigned by artist"}],"summaryDescription":"Dorothea Wight (born 1944) established Studio Prints, London, in 1968 as an editioning workshop and has since worked with Frank Auerbach, Stephen Conroy, Lucian Freud and Celia Paul, alongside Marc Balakjian who joined her at Studio Prints in the 1970s.\r\n\r\nWight studied at Dartington School of Art, and did a postgraduate degree at the Slade School in London.  She has specialised in colour mezzotints and her work has been exhibited internationally in many biennales and triennales. An example of her work was used by print curator and historian Pat Gilmour in her book ‘Understanding Contemporary Prints’ to illustrate the mezzotint process. \r\n\r\nThis is one of four examples by Wight in the V&A collection; each is a colour mezzotint and each takes the form of a view of a landscape through a window, but her real subject is light and the way it changes with the seasons, the time of day, and the framing of the view (by curtains, blind, window frames etc).","physicalDescription":"An image of a deep window frame with a blind pulled a third of the way down, with a view out onto green hills and yellow-white sky.","artistMakerPerson":[{"name":{"text":"Wight, Dorothea","id":"A19985"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"mezzotint","id":"AAT53233"}],"materialsAndTechniques":"Colour mezzotint","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EU9404","2008BU3059"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"42","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"productionDates":[{"date":{"text":"late 20th century","earliest":"1950-01-01","latest":"2000-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[],"creditLine":"Given by the artist","dimensions":[{"dimension":"Height","value":"40","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"33","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Height","value":"14.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""},{"dimension":"Width","value":"12","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'85/100 October Morning Dorothea Wight'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Edition number, title and signature; in pencil"}],"objectHistory":"","historicalContext":"","briefDescription":"Print, 'October Morning', deep window frame with blind a third down and view of green hills, colour mezzotint by Dorothea Wight, London, late 20th century","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"window","id":"AAT2944"},{"text":"view","id":"AAT15424"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.3031-2007"],"accessionNumberNum":"3031","accessionNumberPrefix":"E","accessionYear":2007,"otherNumbers":[],"copyNumber":"85/100","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-09","recordCreationDate":"2007-08-15","availableToBook":false}}