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The photographic image was itself produced by superimposing two separate photographs: <i>The Architects Equipment</i> (showing El Lissitzky's hand holding a compass against graph paper with an arching line) and his <i>Self Portrait</i>, both taken in 1924 while Lissitzky was recovering from tuberculosis in a Swiss sanatorium. The resulting image fuses the artist's head, hand and tools. Large printed letters 'XYZ' appear in the top left hand portion of the image.","artistMakerPerson":[{"name":{"text":"Lissitzky, El","id":"A6815"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"silver","id":"AAT130942"},{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Collage of lithographic and drawn elements added to a photographic image","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[{"text":"Constructivist","id":"AAT21393"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AM3884"],"imageResolution":"high","galleryLocations":[{"current":{"text":"512M","id":"THES49774"},"free":"","case":"MX23","shelf":"2","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Switzerland","id":"x29199"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1924","earliest":"1924-01-01","latest":"1924-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"106","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"116","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"400","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"400","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Depth","value":"30","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Provenance: Mikhail Larionov ollection.","historicalContext":"","briefDescription":"Photograph : Self-Portrait: Constructor, Gelatin silver print,  El Lissitzky, 1924","bibliographicReferences":[{"reference":{"text":"Wilk, Christopher (ed.) <i>Modernism : designing a new world 1914-1939</i>. London: V&A Publications, 2006 Number: 1851774777 (pbk.)","id":"AUTH335830"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"Ute Eskilden et al. <u>De lo humano: fotografía internacional, 1900-1950</u> Málago: Museo Picasso Málaga, 2008. 256 p. ISBN: 9788493490140 / 8493490148 / 9788475068190."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"El Lissitzky","id":"N5411"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"hand","id":"x31539"},{"text":"head","id":"x37855"},{"text":"compass","id":"AAT22488"},{"text":"graph paper","id":"AAT14159"},{"text":"face","id":"AAT33561"},{"text":"typography","id":"AAT195853"},{"text":"capital letters","id":"AAT55061"}],"contentConcepts":[{"text":"imagination","id":"AAT56115"},{"text":"intellect","id":"x40746"},{"text":"manual dexterity","id":"x40747"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Gallery 100, ‘History of photography’, 2011-2012, label text : \r\n\r\nEl Lissitzky (1890-1941)\r\n‘Self-portrait: Constructor’\r\n1924\r\n\r\nLissitzky presents himself as a designer with the\r\nattributes of his profession: graph paper; a hand\r\nholding a pair of compasses; and typographical\r\nelements of his own letterhead. The montage was\r\nmade by contact printing the different negative\r\nelements one after the other onto the same positive\r\nprinting-out paper.\r\n\r\nGelatin silver print\r\nMuseum no. Ph.142-1985\r\n","date":{"text":"07 03 2014","earliest":"2014-03-07","latest":"2014-03-07"}}],"partNumbers":["PH.142-1985"],"accessionNumberNum":"142","accessionNumberPrefix":"PH","accessionYear":1985,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2007-06-27","availableToBook":false}}