{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1365705"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1365705/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JL3644/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JL3644/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2016JL3644","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JL3610","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GD0209","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1365705/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1365705","accessionNumber":"E.2781-2016","objectType":"Watercolour","titles":[{"title":"Nonsuch Palace from the South","type":"generic title"}],"summaryDescription":"<b>Nonsuch Watercolour</b>\r\n\r\nThis watercolour by Joris Hoefnagel shows Henry VIII's remarkable Palace, an unparalleled Renaissance hunting lodge, which only stood for about one hundred and fifty years. A handful of views survive; this is the earliest and perhaps the most significant of them all.  Henry conceived Nonsuch as an architectural expression of the power and supremacy of the Tudor Dynasty.  Its dazzling fusion of English, French and Italian forms rivalled the newly built palaces of the French King Francis I at Fontainebleau and Chambord.  In the words of the poet John Leland:\n\n   This, which no equal has in art or fame, \r\n   Britons deservedly do Nonsuch name.\r\n\r\nConstruction began on St.George's Day, 23 April 1538  to commemorate the 30th anniversary of his accession to the throne. The local parish church of Cuddington, near Ewell in Surrey, was demolished to make way. This showed the king's dominance as head of the Church in England. The date was also significant; it was the thirtieth anniversary of Henry's accession to the throne, and the first birthday of his long-waited, only legitimate son, Edward. \r\n\r\nEntering through the square gatehouse of the Outer Court with its traditional battlements, one sixteenth-century visitor to Nonsuch was 'struck senseless' by the Renaissance-inspired Inner Court. As you can see on the watercolour - look closely with the magnifying glass - the upper parts of the walls were completely covered in stucco reliefs, representing the Labours of Hercules, Roman Emperors, Classical gods and goddesses. Set amongst these carved figures, literally amongst the gods, were reliefs of Henry and son Edward.  Many of the carvings were the work of the Italian sculptor Nicholas Bellin of Modena, who had worked for King Francis I at Fontainebleau.  In 1959, Hoefnagel's incredibly detailed painting was shown to be surprisingly accurate.  Archaeological excavations unearthed pieces of a stucco figure leaning on a shield, directly beneath the point where a similar relief is shown in the painting.\r\n\r\nHenry died in 1547, before the palace was completed. In 1557, Mary I sold the palace to Henry FitzAlan, Earl of Arundel; the palace was in Arundel’s possession when Hoefnagel visited. In 1670 Charles II gave it to one of his mistresses, Barbara Villiers, Countess of Castlemaine. In the 1680s Barbara Villiers had the palace demolished; she used the building materials to pay her gambling debts.  \n\nhe palace now exists only in written and visual representations of which Nonsuch Palace from the South is one of the most accurate as confirmed by stucco panels unearthed during 1959 archaeological excavation of the site. \n\nAudioguide text for Treasures of the Royal Courts, 2013\r\n \r\n","physicalDescription":"Nonsuch Palace from the South by the Flemish artist Joris Hoefnagel is one of the earliest surviving visual records of Henry VIII’s opulent hunting lodge designed to celebrate Tudor supremacy. The artist successfully captured a blend of traditional English architecture and classically-inspired elements such as the spiral columns. Hoefnagel meticulously reproduced the framed stucco panels that lined the palace walls. With fine lines of black pen heightened with white, the artist illustrated the moulded high-relief panels depicting Roman emperors, gods and goddesses as well as the Labours of Hercules. Hoefnagel then balanced the exquisite detail of Nonsuch Palace with the sweeping countryside in muted hues of green and brown. Hoefnagel utilised this drawing for an engraving in the fifth volume of Civitates Orbis Terarum, an atlas of towns, in which Nonsuch Palace received a dedicated plate, a credit to its fame.","artistMakerPerson":[{"name":{"text":"Hoefnagel, Joris","id":"A38545"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Black chalk","id":"AAT80058"},{"text":"Pen","id":"x30618"},{"text":"Brown ink","id":"x46211"},{"text":"Watercolour","id":"x33202"},{"text":"gold","id":"AAT11021"},{"text":"white","id":"AAT13754"}],"techniques":[{"text":"Watercolour","id":"x37878"}],"materialsAndTechniques":"Black chalk, pen and ink, with watercolour, heightened with white and gold","categories":[{"text":"Watercolours","id":"THES277714"},{"text":"Architecture","id":"THES48993"},{"text":"Royalty","id":"THES48899"},{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"renaissance","id":"AAT21140"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JL3644","2016JL3610","2013GD0209"],"imageResolution":"high","galleryLocations":[{"current":{"text":"58E","id":"THES49233"},"free":"","case":"CA4","shelf":"","box":"18"}],"partTypes":[[{"text":"watercolour","id":"x33202"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1568","earliest":"1568-01-01","latest":"1568-12-31"},"association":{"text":"made","id":"x28654"},"note":"Dated"}],"associatedObjects":[],"creditLine":"Purchased with the support of the National Heritage Memorial Fund, Art Fund (with a contribution from The Wolfson Foundation) and the Michael Marks Charitable Trust.\r\n","dimensions":[{"dimension":"Height","value":"21.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"32.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"<i>Joris Hoefnagle van Antwerpen</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"<i>Palatium Regium In Anglie Regno quod appellatire Nonciutz quasi nusquam simile. – Londini A.o 1568:2</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Alfred Morrison (1821-1897), Fonthill House, Wiltshire, and by descent; offered for sale at Christies’, 7 December 2010; bought in; on loan to the V&A from 16 May 2013 – 11 November 2014; subject to export license stop 1 March 2016, purchased by the V&A with the support of the national Heritage Memorial Fund and the Art Fund. ","historicalContext":"","briefDescription":"Watercolour, Nonsuch Palace from the South, by Joris Hoefnagel, 1568","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>The Renaissance at Sutton Place</i>, exh.cat. 18 May-15 September 1983, no.91-95"},{"reference":{"text":"","id":""},"details":"","free":"Biddle, Martin, 1981. The Stuccoes of Nonsuch. <i>Burlington Magazine</i>, 126(976), pp. 411-417, figs. 21-2."},{"reference":{"text":"Jackson-Stops, Gervase (ed.) <i>The Treasure houses of Britain : five hundred years of private patronage and art collecting</i>. Washington D.C. : National Gallery of Art, 1985.","id":"AUTH354368"},"details":"p.409, cat. 342","free":""},{"reference":{"text":"","id":""},"details":"","free":"Olga Dmitrieva and Tessa Murdoch (eds.), <i>Treasures of the Royal Courts: Tudors, Stuarts & The Russian Tsars</i>, Victoria and Albert Museum, London 2013, pp.13, 173"},{"reference":{"text":"","id":""},"details":"","free":"Colvin, Sir Howard Montagu, <i>The History of the King’s Works</i>, IV. (London: HMSO 1963). pp 196-199."},{"reference":{"text":"","id":""},"details":"","free":"Dent, John.<i>The Quest for Nonsuch</i>, 2nd ed. (London: Sutton Publishing Ltd., 1981) p. 19."},{"reference":{"text":"","id":""},"details":"","free":"Kauffman, G. 1970. <i>Die Kunst des 16. Jahrhunderts</i>. Propyläen Kunstgeschichte 8, (Berlin 1970) pp. 379-380. pl. 390."},{"reference":{"text":"","id":""},"details":"pp. 122-3","free":"Elizabeth Cleland and Adam Eaker,with contributions by Marjorie E. Wieseman and Sarah Bochicchio <u>The Tudors: Art and Majesty in Renaissance England</u> , Yale University Press, 2022. ISBN: 978-1588396921"}],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[{"text":"Surrey","id":"x29197"},{"text":"Nonsuch Palace","id":"THES258222"}],"associatedPlaces":[{"text":"","id":""}],"contentPerson":[],"associatedPerson":[{"text":"Henry VIII","id":"N1386"},{"text":"Elizabeth I","id":"N866"},{"text":"Palmer, Barbara Countess of Castlemaine Duchess of Cleveland","id":"AUTH315363"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Nonsuch Palace from the south\n1568\n\nAs the name suggests, Nonsuch Palace in Surry was Henry VIII's most magnificent palace. It was begun in 1538 to celebrate the 30th year of his reign and to project the glory of the Tudor dynasty. The elaborate decoration introduced important elements of Renaissance design to England. The palace was demolished during the late 17th century.\n\nEngland\nBy Joris Hoefnagel\nBlack chalk, pen and brown and black ink, and watercolour, heightened with white and gold, on paper\n","date":{"text":"28/02/2013","earliest":"2013-02-28","latest":"2013-02-28"}}],"partNumbers":["E.2781-2016"],"accessionNumberNum":"2781","accessionNumberPrefix":"E","accessionYear":2016,"otherNumbers":[{"type":{"text":"Previous loan number","id":"THES50326"},"number":"LOAN:PDP ANON.1-2013"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2016-09-06","availableToBook":false}}