{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1360264"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1360264/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JG4102/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JG4102/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2016JG4102","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1360264","accessionNumber":"E.2658-2016","objectType":"Drawing","titles":[{"title":"The worker with the finger that he cut off because of the protest pointing at the gypsy","type":"assigned by artist"}],"summaryDescription":"‘Gluklya’ (Natalya Pershina-Yakimanskaya) is a member of the movement Cho Delat? (What is to be Done?), an alliance of politically activist artists, writers, critics and philosophers which was founded in Saint Petersburg in 2003. This image is a sketch for the Partisan Songspiel, for which Gluklya designed the sets and costumes. The ‘songspiels’ are narrative films central to Chto Delat?’s practice. Modelled on the early 20th-century musical theatre of Bertolt Brecht and Kurt Weill, the songspiels present political and social issues through the accessible and often humorous medium of song. The image of the ‘finger object’ comes from the story of a worker who cut off his finger during a hunger strike.   ","physicalDescription":"Rectangular image (landscape format) in colour: a male figure stands with his arm around a giant bandaged finger almost as tall as himself, with the other hand he points at a female figure in a flamenco dress. Inscribed in pencil along the left hand edge.","artistMakerPerson":[{"name":{"text":"Pershina-Yakimanskaya, Natalya","id":"AUTH330845"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Institute of Contemporary Arts (ICA)","id":"C5710"},"association":{"text":"Publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Plotter drawing with hand-colouring","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JG4102"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"76","box":""}],"partTypes":[[{"text":"Print","id":"AAT41273"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"2010","earliest":"2010-01-01","latest":"2010-12-31"},"association":{"text":"Made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"30","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"40","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed and numbered in pencil along the left hand edge"}],"objectHistory":"","historicalContext":"","briefDescription":"‘Gluklya’ (Natalya Pershina-Yakimanskaya) \r\n<i>The worker with the finger that he cut off because of the protest pointing at the gypsy </i>\r\nArtist’s multiple published by the ICA, London\r\n2010\r\n","bibliographicReferences":[],"production":"","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"A male figure wearing a blue costume stands with his arm around a giant bandaged finger almost as tall as himself, with the other hand he points at a female figure with long black hair and wearing a 'flamenco'-style dress of floral design.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"workers","id":"AAT25886"},{"text":"Gypsies (Gipsies)","id":"x34804"},{"text":"costume","id":"AAT178802"},{"text":"indexes (motifs)","id":"AAT253142"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Cho Delat? (What is to be Done?) is an alliance of politically active artists, writers, critics and philosophers. This image is a scene from their Partisan Songspiel, for which Gluklya designed the sets and costumes. The ‘songspiels’ are narrative films, modelled on the early 20th-century musical theatre of Bertolt Brecht and Kurt Weill, making political and social issues accessible through drama and song.","date":{"text":"22/10/2016","earliest":"2016-10-22","latest":"2016-10-22"}}],"partNumbers":["E.2658-2016"],"accessionNumberNum":"2658","accessionNumberPrefix":"E","accessionYear":2016,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-04","recordCreationDate":"2016-06-22","availableToBook":false}}