{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O135950"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O135950/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AY0003/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AY0003/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AY0003","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX9976","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX9945","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX9944","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX9885","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX9933","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O135950/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O135950","accessionNumber":"A.41-1914","objectType":"Head","titles":[{"title":"Head of Iris","type":"generic title"}],"summaryDescription":"This is an enlarged version of the head of the Crouching Woman (Museum no. A.40-1914). It was probably enlarged by Henri Lebossé, Rodin's trusted associate, before being cast in bronze. The modernity of Rodin's approach is expressed here through the block-like forms and the seam lines left by the plaster moulds (these are usually removed). Their presence challenges conventional ideas of 'ideal beauty' and what might be conventionally accepted as a finished sculpture. 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The Gift to the British Nation: Rodin at the V&A. <font -u>In:</font> Mitchell, Claudine. ed.<font -u>Rodin: The Zola of Sculpture.</font> Henry Moore Institute, 2003. pp. 183-200."},{"reference":{"text":"","id":""},"details":"","free":"Trusted, Majorie. ed. <font -u>The Making of Sculpture: the Materials and Techniques of European Sculpture.</font> London: V&A Publications, 2007. p. 62. pl. 100."},{"reference":{"text":"","id":""},"details":"","free":"Antoinette, Le Normand-Romain. <font -u>The Bronzes of Rodin: Catalogue of Works in the Musée Rodin.</font> London : Lund Humphries ; Paris : Éditions de la Réunion des Musées Nationaux, 2007. p. 457."},{"reference":{"text":"Lampert, Catherine, <i>Rodin</i>, London, Royal Academy of Arts, 2006","id":"AUTH355990"},"details":"","free":""},{"reference":{"text":"Lampert, Catherine, <i>Rodin, Sculpture and Drawings</i>, Hayward Gallery, Arts Council of Great Britain, 1986","id":"AUTH355995"},"details":"","free":""},{"reference":{"text":"Nesbitt, Judith (ed.), <i>Venus re-defined: sculpture by Rodin, Matisse and contemporaries</i>, Tate Gallery Liverpool, 1994","id":"AUTH356864"},"details":"p.20","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Auguste Rodin (1840–1917)\r\n<i>Head of Iris</i>\r\nBefore 1911\n\r\nThis is a version of the head of the Crouching Woman, displayed nearby. It was probably enlarged by Henri Lebossé, Rodin’s trusted associate, before being cast in bronze. The block-like form and the seam lines left by the plaster mould challenged conventional ideas of beauty, form and what constituted finished sculpture at that time. Rodin’s increasingly abstract approach to the human figure proved influential for 20th-century sculptors.\n\r\nParis\r\nBronze, cast by Alexis Rudier","date":{"text":"2021","earliest":"2021-01-01","latest":"2021-12-31"}},{"text":"This is a version of the head of the Crouching Woman, displayed nearby. It was probably enlarged by Henri Lebossé, Rodin's trusted associate, before being cast in bronze. The block-like form and the seam lines left by the plaster mould challenged conventional ideas of beauty, form and what constituted finished sculpture at that time.","date":{"text":"March 2007","earliest":"2007-03-01","latest":"2007-03-31"}}],"partNumbers":["A.41-1914"],"accessionNumberNum":"41","accessionNumberPrefix":"A","accessionYear":1914,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LW2504"],"recordModificationDate":"2025-10-28","recordCreationDate":"2007-06-05","availableToBook":false}}