{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1356602"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1356602/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JG8231/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JG8231/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2016JG8231","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1356602/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1356602","accessionNumber":"E.828-2016","objectType":"Print","titles":[{"title":"Hadleigh Castle","type":"assigned by artist"}],"summaryDescription":"This print is from one of the most important series of mezzotints ever to be published. \r\n\r\nTowards the end of his life, John Constable embarked upon a project to supervise and publish a series of mezzotints based on a selection of his oil sketches, finished paintings and possibly one or two watercolours and drawings. <i>Various Subjects of English Landscape, Characteristic of English Scenery, from Pictures Painted by John Constable, R.A.</i>, better known as <i>English Landscape</i>, consisted of 22 landscape subjects executed in mezzotint by David Lucas, organised into six parts and published between June 1830 and July 1832. Constable revised the series in 1833 in what is referred to as the second edition. After his death in 1837 there were subsequent reprints of the material, plates begun during his lifetime were completed and published and Lucas went on to engrave and publish entirely new plates.\r\n\r\nDrawing upon the precedents of Claude Lorrain and J.M.W. Turner, the ageing and still misunderstood Constable used <i>English Landscape</i> to explain and justify his life’s work. Choosing subjects of both a personal and historical significance, he sought to promote the appreciation of England’s scenery and, more importantly, to highlight nature’s guiding principle of chiaroscuro showing the influence of light and shadow upon landscape. \r\n\r\nFor this magnus opus Constable engaged the services of David Lucas, a young and little-known mezzotinter and former pupil of Samuel Reynolds, who rapidly became a master under Constable’s tutelage not so much copying as translating the painter’s original works into a new graphic language. Through a brilliant use of mezzotint, and occasional drypoint and etching, Lucas conveyed the tactile quality of Constable’s brushstrokes and both his sharp contrasts of light and dark and subtle tonal gradations. The project was a commercial failure for Constable while Lucas never again reached the artistic heights he employed in this endeavour. He worked for lesser artists after Constable’s death and eventually died in Fulham union workhouse.\r\n\r\n\r\n\r\n\r\n","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Constable, John RA","id":"N2134"},"association":{"text":"painter","id":"x36959"},"note":""},{"name":{"text":"Lucas, David","id":"A16057"},"association":{"text":"engraver","id":"x30813"},"note":""},{"name":{"text":"Constable, John RA","id":"A8267"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"mezzotint","id":"AAT53233"}],"materialsAndTechniques":"Mezzotint","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JG8231"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EM","shelf":"12","box":""}],"partTypes":[[{"text":"prints","id":"AAT41273"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1849","earliest":"1849-01-01","latest":"1849-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Accepted in lieu of Inheritance Tax by H M  Government from the estate of the Hon. Christopher Lennox-Boyd and allocated to the  Victoria and Albert Museum 2015.","dimensions":[{"dimension":"Height","value":"26.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"36.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"27.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate mark","note":""},{"dimension":"Width","value":"37.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate mark","note":""},{"dimension":"Height","value":"45.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"58.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Lettered below image: PAINTED BY JOHN CONSTABLE, R.A./ENGRAVED BY DAVID LUCAS./LONDON: PUBLISHED JANY. 1ST. 1849, BY HENRY GRAVES & COMPY. PRINTSELLERS IN ORDINARY TO HER MAJESTY & H.R.H. PRINCE ALBERT. 6, PALL MALL.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"This print is from the Lennox-Boyd collection of mezzotints by David Lucas, chiefly after John Constable, acquired in lieu of Inheritance Tax by H M Government from the estate of the Hon. Christopher Lennox-Boyd and allocated to the Victoria and Albert Museum in 2015. Lennox-Boyd formed the finest collection of British mezzotints in private hands anywhere, totalling approximately 50,000 prints. While his main focus was mezzotints, his collection also contained 18th century picture frames, antique women’s shoes, fans and printed handkerchiefs. He also collected printed ephemera, examples of which the museum has also acquired, and watercolours in the 1970s. In 1963 Lennox-Boyd bought Sanders of Oxford, on the High Street, transforming it from a bookshop into a premier seller of fine prints, maps, engravings and 20th-century etchings. He published several works including <i>Theatre Prints in the Age of Garrick </i>and <i>George Stubbs: The Complete Engraved Works.</i>","historicalContext":"Lucas engraved two mezzotints, a large and a small version, of the ruined castle of Hadleigh with its commanding view of the Thames estuary. This larger plate derives mainly from the six-foot canvas of Hadleigh exhibited at the Royal Academy in 1829 (Yale Center for British Art, B.1977.14.42; Reynolds 1984, 29.1). However, Reynolds believes that Lucas also used the full-scale sketch of the same subject in the Tate for the early proof of this plate (Tate N04810; Reynolds 1984, 29.2). Lucas began this larger version in 1830 and it was first published in 1949. \r\n\r\nLucas engraved a smaller version of Hadleigh, based on both of the above-mentioned pictures, towards the end of 1831 and beginning of 1832. It was first published in the fifth number of the first edition of <i>English Landscape</i> in 1832 and in the fifth number of the second edition.\r\n","briefDescription":"Mezzotint, Hadleigh Castle [large plate], David Lucas after John Constable, 1849","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Shirley 11, published state, between Shirley I and II/II\r\nWedmore 52"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"","id":""}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.828-2016"],"accessionNumberNum":"828","accessionNumberPrefix":"E","accessionYear":2016,"otherNumbers":[{"type":{"text":"Previous owner's number","id":"THES57329"},"number":"P18,414"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2016-05-26","availableToBook":false}}