{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O133694"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O133694/"}},"images":null,"see_also":null},"record":{"systemNumber":"O133694","accessionNumber":"E.1363-1952","objectType":"Wood engraving","titles":[{"title":"Piggotts Roads","type":"popular title"}],"summaryDescription":"Eric Gill (1882–1940) was a British engraver, author, typographic designer and sculptor who played a pivotal role in the development of modern British sculpture. His work adorns some of the nation’s most notable public buildings, including Westminster Cathedral and Broadcasting House. He has become a controversial figure following the 1989 publication of a revelatory biography by Fiona MacCarthy. Nearly 50 years after his death, it emerged that Gill had kept diaries detailing his shocking acts of sexual abuse, incest and bestiality.","physicalDescription":"Wood-engraving","artistMakerPerson":[{"name":{"text":"Gill, Eric","id":"A4651"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"wood engraving","id":"AAT53303"}],"materialsAndTechniques":"wood-engraving","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"94","shelf":"D","box":"27.L"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1928","earliest":"1928-01-01","latest":"1928-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs Mary Gill, widow of the artist","dimensions":[{"dimension":"Height","value":"11.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"from catalogue","note":""},{"dimension":"Width","value":"7.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"from catalogue","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"E.G.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed in reverse"},{"content":"Unlimd","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed in pencil on the mount by the artist"},{"content":"272","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Numbered in pencil on the mount by the artist"}],"objectHistory":"One of two proofs of a map showing the position of the artist's house, Pigotts, North Dean, near Speen, High Wycombe, Buckinghamshire, 1928. The block was used for illustration beneath the colophon on page 20 verso of 'The Future of Sculpture' by the artist, printed at the Lanston Monotype Corporation Ltd., for the artist at Pigotts, 1928.","historicalContext":"","briefDescription":"Eric Gill, 'Pigotts Roads', proof of a map (2 of 2) showing the position of the artist's house in Pigotts, North Dean, near High Wycombe in Buckinghamshire, 1928.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Mr. J. F. Physick, <u>Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1952 Volume II: The Engravings of Eric Gill</u>, London, Her Majesty's Stationery Office, 1960.\n"},{"reference":{"text":"","id":""},"details":"","free":"'Eric Gill' by Fiona MacCarthy, London ; Boston : Faber and  Faber, 1989"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1363-1952"],"accessionNumberNum":"1363","accessionNumberPrefix":"E","accessionYear":1952,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-12-09","recordCreationDate":"2007-04-10","availableToBook":false}}