{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O133145"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O133145/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2021MV0838/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2021MV0838/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2021MV0838","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O133145","accessionNumber":"T.28-2007","objectType":"Collar","titles":[{"title":"Grey Eternal Lace Ruff Collar","type":"assigned by artist"}],"summaryDescription":"Laura Marsden taught herself lacemaking from a book found in an antique shop whilst studying Textile Design at Chelsea College of Art and Design.  She is particularly inspired by lace samples in the V&A's textile galleries and in historic paintings. \r\nMarsden is committed to recycling materials and has developed a technique for lace-making using recycled plastic carrier bags and a chemcial heat treatment process to create hand stitched jewellery and accessories. Grey Eternal Lace Ruff Collar has been made from a V&A carrier bag, advertising the Art Deco exhibition.","physicalDescription":"Two layer ruff collar, hand made needle lace using recycled plastic carrier bag and bonded using an unique heat bonding process (patent pending)","artistMakerPerson":[{"name":{"text":"Marsden, Laura","id":"A19129"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"plastic","id":"AAT14570"}],"techniques":[{"text":"lace making","id":"AAT53651"}],"materialsAndTechniques":"Hand made needle lace using recycled plastic, heat bonded","categories":[{"text":"Textiles","id":"THES48885"},{"text":"Clothing","id":"THES48975"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2021MV0838"],"imageResolution":"low","galleryLocations":[{"current":{"text":"005","id":"THES360751"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Collar","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2006","earliest":"2006-01-01","latest":"2006-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"11","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"45","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Marsden taught herself lacemaking from an antique instructional sewing book 'Encyclopedia of Needlework by Th. De Dillmont.  From this she taught herself various techniques which she carried out using silk and cotton yarns.  She later experimented with dipping latex and wax, concerned with prolonging the life of the lace and minimising wear.","historicalContext":"Marsden is a frequent visitor to the V&A, and has drawn on the exhibition programme for inspiration.  This collar has been made using plastic bags advertising the V&A's Art Deco exhibition.  Marsden initially used bin bags before moving on to experiment with plastic carrier bags.  Certain bags proved less suitable if they were too thin or too shiny. Marsden eventually focused on V&A exhibition bags because of the durability of the plastic and their decorative quality.","briefDescription":"'Grey Eternal Lace Ruff Collar', two layers of hand made needle lace using heat bonded plastic carrier bag, by Laura Marsden, London, 2006.","bibliographicReferences":[],"production":"Attribution note: The process of eternal lace involves using a stencil within a piece of fabric.  The hole in the fabric is filled with the needle made lace in a designed pattern.  The stencil is usually a circle as this seems to work best and create the most even finish.  The lace inside the stencil then undergoes a variety of heat and chemical processes.  Marsden is currently patenting this process.\nReason For Production: Retail","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["T.28-2007"],"accessionNumberNum":"28","accessionNumberPrefix":"T","accessionYear":2007,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-09-04","recordCreationDate":"2007-03-15","availableToBook":false}}