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It opened on 20 September 1989 and ran for ten years. Jonathan Pryce created the role of the Engineer in London and controversially (since he was not Asian) when the production transferred to Broadway.\n\r\n<i>Miss Saigon</i> transposed the narrative of <i>Madame Butterfly</i> to the final stages of the 1955-75 Vietnam War. In designing the costumes Andreane Neofitou drew on documentary sources, photographs and film footage, and worked closely with costumiers, Bermans and Nathans, who made all the non-uniform costumes. The Engineer, Tran Van Dinh, was a half-French, half-Vietnamese greasy and engaging pimp, the owner of the Saigon bar and brothel 'Dreamland', catering mostly to American GIs. Pryce's performance was highly praised, with Michael Coveney noting in his review of the production in the <i>Financial Times</i> (21 September 1989),  that the Engineer was: ‘coruscatingly well played by Jonathan Pryce. Pryce has several big moments as he hitches his escape to the dollar democracy like some oleaginous, limber-limbed hood-eyed emcee from <i>Cabaret</i>.’\n\r\nThe Act II costume is worn by the Engineer when he is working in a night club in Bangkok, his eagle-motif belt buckle revealing his continued wish to obtain a US visa and his persistent belief in 'The American Dream'. Photographs showing Jonathon Pryce wearing both costumes appear in the original souvenir programme of <i>Miss Saigon</i>at Drury Lane.","physicalDescription":"Costume consisting of red suit worn by Jonathan Pryce as the Engineer in Act 2 from the production <i>Miss Saigon,</i> designed by Andreane Neofitou, Theatre Royal, Drury Lane, 1989. The entire costume consists of a red silk jacket, black trousers made from a synthetic fabric, black chiffon shirt, a spare black shirt and a black leather belt with eagle-head motif. 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4 February 2024\n\nCostume for The Engineer in Miss Saigon\r\n1989\r\nThe producers of Miss Saigon, a musical set during the Vietnam War, attracted controversy for the casting of white Welsh actor Jonathan Pryce as The Engineer, a Eurasian character in the original West End production. While praised in the role, protests from the Asian community and support from Actors’ Union Equity ensured that the character has since been portrayed by performers with Asian heritage.\r\nDesigned by Andreane Neofitou\r\nSilk\r\nMuseum no. S.3672:1-2015\r\nGiven by Jonathan Pryce","date":{"text":"2022","earliest":"2022-01-01","latest":"2022-12-31"}}],"partNumbers":["S.3672:1-2015","S.3672:2-2015","S.3672:3-2015","S.3672:4-2015","S.3672:5-2015"],"accessionNumberNum":"3672","accessionNumberPrefix":"S","accessionYear":2015,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Jacket","Trousers","Shirt","Belt"],"assets":[],"recordModificationDate":"2026-01-26","recordCreationDate":"2015-12-22","availableToBook":false}}