{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O131647"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O131647/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BH2503/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BH2503/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BH2503","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O131647","accessionNumber":"E.851-2002","objectType":"Photograph","titles":[{"title":"'Sculpture Frieze'","type":"assigned by artist"}],"summaryDescription":"This photograph was made in the Victoria and Albert Museum using a giant pinhole camera, or camera obscura, built around a display case in gellery 50A that contains bronze statuettes and terracotta models. \r\n\r\nPhotographic paper was attached to the back of the case and a unique negative image was formed by ambient light filtering onto the paper through two pinholes. The exposure lasted about five hours. The silhouettes of the sculptures overlap with one another and with the inverted image of the gallery. This animated frieze creates mysterious interactions between the Museum's objects and its interior.\r\n\r\nAlthough he has practised extensively in Germany this is the first time that Lissel has worked with a UK museum. The V&A commisioned him to create this photograph during a two week residency to coincide with the Canon Photography Gallery exhibition Seeing Things: Photographing Objects 1850-2001.","physicalDescription":"Black and white photograph, room with statuettes.","artistMakerPerson":[{"name":{"text":"Lissel, Edgar","id":"A12886"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"gelatin-silver process","id":"AAT139114"}],"materialsAndTechniques":"Gelatin silver print, camera obscura","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BH2503"],"imageResolution":"low","galleryLocations":[{"current":{"text":"B","id":"THES304611"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Victoria and Albert Museum","id":"x32782"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2002","earliest":"2002-01-01","latest":"2002-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the Cecil Beaton Royalties Fund","dimensions":[{"dimension":"Height","value":"114","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Length","value":"288","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This photograph was made in the museum. The Victoria and Albert museum commisioned Lissel to create this photograph during a two week residency to coincide with the Canon Photography Gallery exhibition Seeing Things: Photographing Objects 1850-2001.","historicalContext":"","briefDescription":"Photograph, 'Sculpture Frieze', gelatin-silver print, by Edgar Lissel, 2002.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Edgar Lissel (born Germany, 1965)\r\nSculpture Frieze\r\n2002\r\n\r\nThis photograph was made in the V&A using a giant pinhole camera, or camera obscura, built around a display case that contains sculpture. Photographic paper was attached to the back of the case and a unique negative image was formed by ambient light filtering onto the paper through a pinhole. The exposure lasted twenty-four hours. The elegant silhouette of the sculpture inhabits the inverted image of the gallery, which is transformed into a celestial realm where points of light appear like black stars.\r\n\r\nGelatin silver-print\r\n\r\nMuseum no. E. 851- 2002","date":{"text":"","earliest":null,"latest":null}},{"text":"This photograph was made in the Victoria and Albert Museum using a giant pinhole camera, or camera obscura, built around a display case that contained bronze statuettes and terracotta models. Photographic paper was attached to the back of the case and a unique negative image was formed by ambient light filtering onto the paper through two pinholes. The exposure lasted about five hours. The silhouettes of the sculptures overlap with one another and with the inverted image of the gallery. This animated frieze creates mysterious interactions between the Museum's objects and its interior.","date":{"text":"2008-2009","earliest":"2008-01-01","latest":"2009-12-31"}}],"partNumbers":["E.851-2002"],"accessionNumberNum":"851","accessionNumberPrefix":"E","accessionYear":2002,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2023NP3012","2023NP3013"],"recordModificationDate":"2025-04-16","recordCreationDate":"2007-02-12","availableToBook":true}}