{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O131471"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O131471/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AY9158/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AY9158/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AY9158","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O131471","accessionNumber":"E.367-2005","objectType":"Photograph","titles":[{"title":"Becoming Magma 2, 2004","type":"assigned by artist"}],"summaryDescription":"Fabian Miller is know for his 'camera-less' photographs. The artist works in the darkroom, shinning, shining light through coloured glass vessels and over cut-paper shapes to create forms that record directly onto photographic paper. These rudimentary methods recall the earliest days of photography, when the effects of light on sensitised paper seemed magical.\r\nAcross languages and cultures, the earliest colour categories are believed to have been those of light and dark, followed almost universally by a term for red. Fabian Miller's images therefore suggest primal experience and a definition of colour and shape that can be understood on several levels. The titles Becoming Magma and From the Red Pool refer to molten rock beneath the earth's surface. The horizontal images conjure a prehistoric landscape. The circular pieces evoke a planetary or cosmic form, perhaps the Zen enso, or circles of enlightenment - a symbol of the cycle of life.","physicalDescription":"Four dye destruction photographs mounted as one image in purpose made frame with red circle in the middle.","artistMakerPerson":[{"name":{"text":"Fabian Miller, Garry","id":"A15760"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"water","id":"AAT11772"}],"techniques":[{"text":"silver-dye bleach process","id":"AAT133465"}],"materialsAndTechniques":"Water, light, dye destruction print, abstract camera less photograph","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AY9158"],"imageResolution":"low","galleryLocations":[{"current":{"text":"B","id":"THES304984"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Devon","id":"x28807"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2004","earliest":"2004-01-01","latest":"2004-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the Cecil Beaton Royalties Fund","dimensions":[{"dimension":"Height","value":"128.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"148","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"7.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph, 'Becoming Magma 2, 2004', abstract camera-less photograph, dye destruction print, by Garry Fabian Miller, 2004.","bibliographicReferences":[],"production":"His works are made in the artist's darkroom","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Garry Fabian Miller has made exclusively 'camera-less' photographs since the mid 1980s. He works in the darkroom, shining light through coloured glass vessels and over cut-paper shapes to create forms that record directly onto photographic paper. His images suggest primal experience and a definition of colour and shape that can be understood on several levels. The title Becoming Magma refers to molten rock beneath the earth's surface. The circular shape evokes a planetary or cosmic form, or perhaps the Zen enso, or circle of enlightenment - a symbol of the cycle of life.","date":{"text":"2008-2009","earliest":"2008-01-01","latest":"2009-12-31"}}],"partNumbers":["E.367-2005"],"accessionNumberNum":"367","accessionNumberPrefix":"E","accessionYear":2005,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-21","recordCreationDate":"2007-02-07","availableToBook":true}}